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I was in such a mood last night when I came upon an old box of hair dye. Dark Brown. I’m no stranger to new hair colors, but this seemed like an especially apropos moment to take on a new guise. This morning, I’m not so sure. I look different. Really different.
SO, this made me think about photography, naturally. In particular, Hendrik Kerstens‘ portraits of his daughter Paula. They’re like paintings. They’re beautiful; I like to see her change.
You can see lots of these and read more about Kerstens at the Witzenhausen Gallery site (incidentally, they rep a ton of good people)… but here are some of Paula that I really like.
“Brace” just kills me.









cap, 2001

“One day Paula came back from horseback riding. She took off her cap
and I was struck by the image of her hair held together by a hair-net.
It reminded me of the portraits by the Dutch masters and I portrayed
her in that fashion. After that I started to do more portraits in which
I refer to the paintings of that era. The thing that fascinates me in
particular is the way a seventeenth-century painting is seen as a
surface which can be read as a description of everyday life as opposed
to the paintings of the Italian Renaissance, which usually tell a
story. Northern European painting relies much more on craftsmanship and
the perfect rendition of the subject. The use of light is instrumental
in this.”

___

Awwwww, Hulin you look cute with brown hair. Cheer up.
Moving sucks, no two ways about it. But it made you post this blog & introduced me to this photographer – “braces” is a hoot~! – great portraiture Good luck on the move – just keep breathing…. :)
You look pretty no matter what color your hair is.
Kerstens is a genius! Beautiful and irritating and this bit of humour in citing the grand old ones! Seems he is making it big now, the F/Stop Festival in Leipzig is showing his work, and he made it on the cover of Die Nacht. Well, he did a great work!
Thanks for your information, i have read it, very good!
Comparative potencies of opioids tramadol.
Tramadol.
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