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Home » Featured Photographers » It’s Art, But Is It Photography? The Work of David Burdeny

It’s Art, But Is It Photography? The Work of David Burdeny

Posted by: Allen Murabayashi    Date: September 1, 2011  |  6 Comments
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When the weather is nice, I often walk home, which takes me down West Broadway in Soho. Nestled between Oliver People’s and a parking garage is the Lumas gallery, and there’s always one photo in the window that catches my eye.

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Photographer David Burdeny studied interior design and architecture in Manitoba, but like many of us, has had a love affair with photography since he was a kid. His “Drift” series is an exploration of slow shutter speeds while traveling through various locales around the world.



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This type of abstract photography is something I would have scoffed at 20 years ago. But I’ve come to realize that when you view photography as piece to hang in your house, it can sometimes be too literal — for example, I love James Nachtwey’s work, but it’s not something I’d like to stare at in my apartment on a daily basis.

And Drift is a body of work with tremendous consistency. It’s not an experiment by a photo student, and I think the level of expertise and experience shows. You might disagree. By the way, here’s my favorite — it’s a triptych and I want it!

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I had been looking at David’s work on the Lumas website for over a year, but never bothered to Google him until last night, and I was pleasantly surprised to find his other work, particularly the stuff he’s done in Greenland and Antarctica. Icebergs are pretty cool…

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Speaking of icebergs, if you don’t know Camille Seaman‘s (TED 2011 Fellow) work, check it out. Icebergs are her thang.

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Photo by Camille Seaman

Lastly, what struck me the most about David’s work is actually how I found it because it wasn’t online despite the inordinate amount of time I spend in front of a computer. I first saw his work at the Lumas gallery in the Mall at Short Hills, and then again in Soho. So despite living in the information age, it was seeing a large physical piece in a shop window that caught my eye. And this is actually something that James Bourret commented on in our free “How to Sell Prints” eBook — specifically that you cannot engender the emotional response that someone gets from seeing a large print in person with a 800 pixel jpg.


6 Comments

deanorosphoto.myvidoop.com 9-2-2011

Allen, Such a timely article, especially the last sentence. I had first written about this two years ago in an article, and blogged it again just recently: “The Beauty of Images of Words on Paper” http://bit.ly/qfAGuJ Dean Oros

Jim Goldstein 9-2-2011

I like David’s work, and it’s new to me. I’ve been collecting a similar body of work since 2009 more as a study of naturally occurring color. I even have it on Photoshelter. http://jim-goldstein.photoshelter.com/gallery/Color-Fields/G0000vO12kVDGWzg/ Abstracts are a beautiful aspect of photography as an art.

Valerio 9-3-2011

He owes a lot to’ Hiroshi Sugimoto seascapes http://www.sugimotohiroshi.com/seascape.html

DaniLew 9-4-2011

I love David’s idea and imagery! So calm and serene and it makes me wonder where he was in the world when he captured them.

Colleen Leonard 9-5-2011

This is beautiful work, thank you for starting this discussion, and your comment about seeing the actual piece as opposed to a screen is spot on. There is also Frank Grisdale doing similar work in Canada http://www.frankgrisdale.com/ and I have also done a series from Canada called Moving Land. Sugimoto was definitely a direct influence. http://www.colleenleonardphotographie.com/newmovinglandgallery.html

newborn-photographer.myopenid.com 9-6-2011

I find this to be beautiful. It IS photography/a photograph if he created the image using light and a light sensitive surface. Blurry, b/w, tack sharp and anything else that one can capture using these mediums, is all photography. I am going to try this next time we travel across country and composite a study of the various tones and landscapes. Thank you for sharing.

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