Comments on: How To Determine The Authenticity of a Photograph http://blog.photoshelter.com/2012/07/how-to-determine-the-authenticity-of-a-photograph/ Daily discussion of photography business issues & photography websites. Marketing and sales tips for smart photographers, plus a dose of inspiration from the PhotoShelter team. Thu, 23 May 2013 22:59:20 +0000 hourly 1 http://wordpress.org/?v=3.4.2 By: Photography:  The Truth Behind Photo Manipulation | Focus http://blog.photoshelter.com/2012/07/how-to-determine-the-authenticity-of-a-photograph/#comment-845723 Photography:  The Truth Behind Photo Manipulation | Focus Fri, 19 Apr 2013 20:18:46 +0000 http://blog.photoshelter.com/?p=23570#comment-845723 [...] Margolis, L. (2012). How To Determine The Authenticity of a Photograph. Retrieved from http://blog.photoshelter.com/2012/07/how-to-determine-the-authenticity-of-a-photograph/ [...] [...] Margolis, L. (2012). How To Determine The Authenticity of a Photograph. Retrieved from http://blog.photoshelter.com/2012/07/how-to-determine-the-authenticity-of-a-photograph/ [...]

]]> By: How To Determine The Authenticity of a Photograph « Miguel Gomez http://blog.photoshelter.com/2012/07/how-to-determine-the-authenticity-of-a-photograph/#comment-174764 How To Determine The Authenticity of a Photograph « Miguel Gomez Fri, 20 Jul 2012 17:15:18 +0000 http://blog.photoshelter.com/?p=23570#comment-174764 [...] Photoshelter Tu voto:Share this:TwitterFacebookMe gusta:Me gustaBe the first to like this. [...] [...] Photoshelter Tu voto:Share this:TwitterFacebookMe gusta:Me gustaBe the first to like this. [...]

]]> By: Mushudragon http://blog.photoshelter.com/2012/07/how-to-determine-the-authenticity-of-a-photograph/#comment-172789 Mushudragon Wed, 18 Jul 2012 13:43:26 +0000 http://blog.photoshelter.com/?p=23570#comment-172789 Excellent photographers exist and most say they don't do much editing. Art prevails. Change is the only thing we can rely on. Excellent photographers exist and most say they don’t do much editing. Art prevails. Change is the only thing we can rely on.

]]> By: Rob Stewart http://blog.photoshelter.com/2012/07/how-to-determine-the-authenticity-of-a-photograph/#comment-172719 Rob Stewart Wed, 18 Jul 2012 12:06:56 +0000 http://blog.photoshelter.com/?p=23570#comment-172719 One thing that happened to me while in my last job working for the Police always springs to mind when talking about this subject. A detective asked me "can you go back to the scene tonight at eight o'clock and take a photograph to show how dark it was at the time of the incident?" My answer - "how dark do you want it to be?". One thing that happened to me while in my last job working for the Police always springs to mind when talking about this subject. A detective asked me “can you go back to the scene tonight at eight o’clock and take a photograph to show how dark it was at the time of the incident?”

My answer – “how dark do you want it to be?”.

]]> By: Paul Conrad http://blog.photoshelter.com/2012/07/how-to-determine-the-authenticity-of-a-photograph/#comment-172388 Paul Conrad Wed, 18 Jul 2012 04:47:34 +0000 http://blog.photoshelter.com/?p=23570#comment-172388 Don't forget Brian Walski, LA Times photographer who morphed two photos into one. Allen Dietrich of the Toledo Blade who confessed manipulating more than 70 photos which were published. Don’t forget Brian Walski, LA Times photographer who morphed two photos into one. Allen Dietrich of the Toledo Blade who confessed manipulating more than 70 photos which were published.

]]> By: andy manning http://blog.photoshelter.com/2012/07/how-to-determine-the-authenticity-of-a-photograph/#comment-172023 andy manning Tue, 17 Jul 2012 20:19:42 +0000 http://blog.photoshelter.com/?p=23570#comment-172023 A photograph has alway been open to alterations. Manipulation of the image in the darkroom from film processing to print techniques has always, either by accident or design, has happened. If the 'editorial' integrity of an image can remain intact let it be so. A photograph has alway been open to alterations. Manipulation of the image in the darkroom from film processing to print techniques has always, either by accident or design, has happened. If the ‘editorial’ integrity of an image can remain intact let it be so.

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