Recently in competitions/residencies/exhibitions Category

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Remember when you were young and you'd stare off into the distance, hoping against hope for a future of excellent stock photography?

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Me too.

Well, your dreams have been answered, thanks to Shoot! The Day's amazing winners. Our July event was a great success, and now you can relax and just concentrate on being the best ballerina (or drunken swimmer) that you can be.


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Here's the list of winners, by category (our cowboy above was a winner, the other images are truly excellent runners-up):

Business:

1st: Chris Carroll
2nd: Patrick King  
3rd: Stephanie Keith
Honorable Mention: Karen Evans

Youth Culture:

1st: John Fedele
2nd: Grant Harder
3rd: Shannon Faulk
Honorable Mention: Stephan Malik

Family:

1st: (Grand Prize winner) Kinzie Riehm
2nd:
Gary Gardiner
3rd: Amanda Recker
Honorable Mention: Don Smith

Still Life:

1st: Eskay Lim
2nd: Mr. Beagle
3rd: Jose Luis Stephens
Honorable Mention: Bernard Jaubert

Seniors:

1st: Norman Pogson
2nd: Leah Fasten
3rd: Charles Williamson


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See all the imagery, here. And be sure to check out Mr. Beagle. He shot a mouse.
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joel barhamand

This weekend, I would like to lie down in a bed of flowers. 

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julie kuceris

No, a bed of toys.


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jason florio

No, some clouds.


Check out the collection of 98 curated Photoshelter prints available for a limited time, here.


And have pleasant weekend dreams among the toy Rexes.


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Like photography? Like LA? A little mole at a big museum sent us a special memorandum. Check it out. And don't say I never did anything for you.

___

Los Angeles County Museum of Art
MEMORANDUM
Date: August 19, 2008

To: All Staff

Subject: Job Opportunity in the Photography Department

Associate Curator

Photography Department

Reporting to the Curator/Department Head of Photography, the Associate Curator handles both curatorial and collections management related responsibilities for the Photography department, involving preservation of the Museum's collections, research and dissemination of information about the collection, as well as the organization of exhibitions and acquisition of art for the collection.

Some essential duties include: interpretation, cataloguing, and study of permanent collection; generating, planning, and implementing special exhibitions; fundraising for acquisitions and exhibitions; donor/artist/trustee relations; responding to both public and scholarly inquiries; docent training; collaboration with Conservation and Collections Management departments to ensure preservation of the collection.

The qualified candidate will have a Master's degree in Art History or in Museum Studies with a Photography specialization, and at least three to five years of experience involving museum curatorial work, collections management, and teaching at a college level. An equivalent combination of education and experience will be considered. Previous supervisory experience and a record of publications are strongly preferred. The successful candidate will have exceptional written and oral communication skills.


Send your awesome resume to Mr. Brown.
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we're not your ordinary stock company. we're more awesome.

What follows is a one of our periodic Star Search announcements. Seriously, folks; if you're looking for a position and you meet these qualifications, this is a hell of a place to work (free slim jims, etc.)....


    PhotoShelter Sales Team

    PhotoShelter is seeking a highly motivated and energetic Account Executive to fill out its direct sales team. While our clients range from editorial to advertising to graphic design, both domestic and international, we are interested in talking to sales people with experience and networks in any of these areas. We are also open to meeting candidates with relatively little direct experience, but with a great attitude and a natural sales DNA. Compensation will be a mix of cash and equity, with a focus on commissions (base salary will be reasonable and commensurate with experience).

    Requirements

    • At least 2 years experience selling at a major agency or comparable photography sales experience. If no direct sales experience, at least a working knowledge of the commercial photography industry and the desire to work in a sales capacity.
    • Ability to work with Director of Sales to define and achieve your sales territory + targets
    • Good personal network to support your initial efforts.
    • Work with Director of Sales to brainstorm marketing ideas + photographers to recruit to the site.

    General Qualifications

    • Outstanding sales skills but as a real person with a passion for and understanding of photography, who can relate to our clients on their level and not just as a sales person
    • High energy, smart, focused, self-starter
    • Love for sales + ability to respond well to a generous commission plan
    • Must love entrepreneurial environment and the chance to really build something with little management or direction from above
    • Ability to work great w a team
    • Desire to work with cool people in a focused and fun environment, with tons of latitude to do your thing well.

    About PhotoShelter

    The PhotoShelter Collection is a global stock photography marketplace where photographers from 130 different countries contribute over 4,000 new images daily for rights-managed and royalty-free licensing. Through PhotoShelter, photographers keep an unprecedented 70% of every sale, compared to the industry standard of 35%. The Collection provides image buyers with a freshness that results when accomplished pros and undiscovered hobbyists share their distinct perspectives in an edited collection designed to add diversity and authenticity to any project. To see our community in action, visit www.photoshelter.com.

    If interested, please send your resume here.
     


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    Oooh a real treat on the blog today, Rachel is excited! You know why? Because she's got the Jack! Yeah, that's an AC/DC reference, mmhm.

    OK, in all seriousness, pay attention here. This is a multi-layered blog attack and you're going to need all your brain cells. Put the Scrabulous down. Above is a picture of Mr. Andrew Hetherington. Aside from being a rather fantastic photographer, he's also become a mainstay of this cozy little photography blogtown with whatsthejackanory. I was reading this thing back when I was in blog diapers, and I've learned a lot.

    SO, today Mr. Hetherington has an image featured in Jen Bekman's genius 20x200. I'm not going to tell you which picture, but it's on this page somewhere, and it rhymes with shoo(t).

    In honor of this awesome and auspicious event, I've asked Mr. Hetherington 20 quick questions.

    Here's an additional exciting bit:

    If you can identify the man who is not Mr. Hetherington in question 17, you will win one of Mr. Hetherington's books. Two are available.


    Let's GO!


    1.
    andrew! what is your current state of mind?

    Optimistic.

    2. what do you consider your finest photographic achievement?

    Escaping death on a Swiss Alp as an assistant. I was inches away from slipping off a 4,000 ft. peak had a saving hand not intervened.

    3. vodka or gin?


    Beer please.

    4. what picture has the best wall space in your house?


    Big red apple. Right above the bar. Gift from Mrs TH.

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    5. dream shoot?

    A fulfilling one.

    6. desert island. you can only have one companion: a photo editor. choose one.


    Impossible to choose. They are all my favorites.

    7. same desert island. film or digital?

    Film

    Kodak 160NC 220

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    8. favorite beatle?

    Ringo. He married Barbara Bach from the Bond movie The Spy Who Loved Me.

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    9. biggest photographic inspiration?

    Life.


    10. brand of shoes on your feet right now.

    Vans slip ons. White of course.

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    11. last camera you shot with?

     Hasselblad 503cw.

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    12. name of your childhood pet.

    Had a goldfish. Can't remember his name.


    13. you can only shoot advertising. client of choice?

     A repeat one.


    14. you can only shoot for cute overload. animal of choice?

    A  Cow.

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    15.
    first concert you went to without your parents?

    Big Country. RDS Dublin 1983.


    16. most visited website?

    Shoot the Blog of course. first thing every morning. right after http://news.bbc.co.uk/


    17.
    What photographer were you most excited to take your picture with?
     
    This guy. He's such a badass.

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    18. first picture you took that you were proud of?

    My father just mailed me this one he stumbled across

    maybe from1985

    in Dublin

    I was mad into the cycling

    processed and printed it myself in the bedroom darkroom

    wish I had pictures of that set up

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    19. motto?

    He who dares wins.


    20. how much money would you accept to shave your beard?


    Enough for round the world tickets for two. Business class. Not to be greedy.


    ---

    SWEET. OK, a reminder. Things you must now do.

    1. tell us who the dude is in #17 to win one of these books:
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    2. Check out the 20x200 Hetherington edition.
    3. Look at Andrew's pictures, words, and available stock.
    4. Have a pleasant and fulfilling day.



    moo.


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    I received this "media alert" in my inbox last week and did a triple take. Behold:

    MEDIA ALERT


    What:
    Introducing Bond Street Gallery, a new gallery for contemporary photography, located in Carroll Gardens, Brooklyn. The first exhibition opens next week and is titled Young Curators, New Ideas. A group exhibition organized by Amani Olu and curated by Alana Celii & Grant Willing (Fjord Photo), Michael Bühler-Rose, Jon Feinstein (Humble Arts Foundation), Laurel Ptak (I Heart Photograph), Amy Stein, and Lumi Tan (Why + Wherefore).

    The exhibition examines different trends and perspectives in contemporary art photography through the bias of six new and seasoned curators. Each curator (or curatorial group), using roughly ten feet of space, aims to engage viewers in a discussion on where he or she believes art photography is today.

    __

    Um, WHOA. That's a crazy A-List group of curatorial folk! I decided to have a little chat with one of these curators, specifically, Humble Art Foundation's Jon Feinstein, who is also a photographer. I asked him about lots of things, but found the conversation about the rise of mysticism and magic in contemporary photography especially interesting. The photographers Feinstein chose-- Hannah Whitaker, Talia Chetrit, Noel Rodo-Vankeulen, and Ann Woo, represent a new canon of rising stars in art photography.


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    This is Jon Feinstein.

    Jon! This Bond Street show has quite the young curator star list! How did you become part of the show?

    Totally. I'm psyched to be a part of it! I've worked closely with Amani on Humble Arts Foundation shows for the past few years so it was pretty natural for him to invite me to participate.

    How did you become a curator in the first place-- I am a big fan of your portraiture; how do you balance doing your own work and the curatorial stuff? Do they feed off of each other?

    I got into curating while I was still working as a photo editor for Heeb magazine. While I loved working on editorial and fashion shoots, my background was in art photography, having studied under Stephen Shore (and other amazing professors who I won't name drop at the moment) at Bard, and I wanted to do something more in line with those interests. I started working at a stock photo agency and met Amani, who had begun brainstorming ideas about Humble Arts Foundation.

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    Jon Feinstein, Bob and Lindsay, 2003

    We got to talking about our backgrounds in magazine editing and photography and came up with the idea for Humble's original inception, group-show.com, which at that point was a simple monthly showcase for emerging photographers. It has now grown to include online solo shows, affordable limited edition prints, a grant program and about four physical shows per year. We have a big group show coming up in Chelsea in the fall, as well as our first Humble promoted physical solo show which will be announced soon. It's incredibly daunting to be making my own work simultaneously so I try to keep it as separate from Humble as possible, but am incredibly inspired by all of the work I've been seeing over the past few years.

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    Jon Feinstein, Ben, 2003

    Where do you think the new interest in photographic mysticism came from? From NASA's astronomy picture of the day, to Hannah Whitaker's rainbow bunny, I'm seeing (and loving) this stuff everywhere. Is it particular to our generation-- to our notions of "futurism" and "fantasy"? Does World of Warcraft play a role, mayhaps?


    I think this new "photographic mysticism" is incredibly interesting, and has many more layers than just light, color, prisms,etc. I think the larger umbrella of new mystical explorations in photography can in some ways be interpreted as a step beyond postmodern and narrative photography. While earlier generations of photographers were exploring identity politics and notions of truth and representation, often through staged photographs, this new "movement" seems to be focused more on form and photography's physical properties, not only for their aesthetic value, but but for their metaphorical qualities as well.

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    Noel Rodo-Vankeulen, Geode, 2008

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    Hannah Whitaker, Apple Tree

    I see both as being incredibly influenced by painting, but while Crewdson or diCorcia may have been influenced by both Hopper and some of the surrealists, this group of younger photographers, especially Ann Woo and Talia Chetrit, seem to be playing with much more abstract ideas of expressionist painters like Rothko and Barnett Newman. As for trends in photography, I think the growing attention to this kind of work in some ways may come from a desire to create work that is as controlled as the staged work that was studied in college photo classes, but without relying on excessive budgets and other people's schedules. I was talking to a photographer a few weeks ago about how so much of this work can be made from a photographer's studio or home, and really takes the idea of "making" photographs to an entirely new level.

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    Ann Woo, Lisa, Sunset


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    Talia Chetrit, Spectrum, 2007, Inkjet, 2007

    How do you see your future in the industry? It's so interesting to see so many of these young curators multi-tasking as designers and photographers... do you think there's a new trend in the curatorial world to make it more accessible, now that things like blogs and small arts organizations are gaining more of a foothold in the industry?

    I'm not quite sure where I see my future in the industry. Much of my curatorial work will operate through Humble (unless of course a major institution invites me to curate a show, but that hasn't happened yet :) ), but my main aim is to continue to curate bodies of work that are not only pretty to look at, but are informed and challenging and push the medium of photography forward. I definitely think there's been a growing trend in online-based photo organizations, and it has democratized photography at an amazing rate.

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    Hannah Whitaker

    As long as the editing and curation is tight, informed and well organized, I think it's a wonderful thing. What I think is so great about the development of new/online curation is that it has allowed new ideas to flourish with more focus on work that is challenging, and less on what is potentially saleable. As for my own work, I have a couple new projects that I have been developing over the past year which will be officially "launched" within the next few months. Some of this work is going to be  in a couple shows that will be opening in the fall in NYC and Chicago.


    Did you coordinate your image and theme ideas with the other curators, or were you all on your own? What's your favorite photo in the show (will you tell me)?

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    Gerald Edwards III, Investigation into the Disruption of Power, 2006


    We were pretty much all on our own. Since there are such unique visions from the curators involved there has been little overlap and I think the show will feel incredibly varied. I won't comment on my favorites from my own show, but I've seen some previews of Laurel's animated GIFs presentation and think it's fantastic. I also love Gerald Edwards' image (which was used as the postcard for the show) which is featured in the Fjord show and Ofer Wolberger's "Maggie" series, which is included in Amy Stein's show. I haven't seen any of the other work yet so I can't really comment at this point, but I'm excited!

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    Ofer Wolberger, from the Maggie Series
    ___


    Here are the specs for tomorrow's opening; If you're in New York and you like photos and rainbows, it's pretty much a must:


    Young Curators, New Ideas

    Opening Reception: Wednesday, August 13, 2008
    RSVP: rsvp@bondstreetgallery.com
    Press Review: 4 -- 6 pm | Public Reception: 6 -- 9 pm
    On View: Wednesday, August 13 -- Saturday, September 6, 2008

    Exhibition Artists:

    Charles Benton, Alison Brady, Brian Bess, Victor Boullet, Mikaylah Bowman, Olga Cafiero, Talia Chetrit, Tyler Coburn, Petra Cortright, C. Coy, Gerald Edwards III, Daniel Everett, Thobias Fäldt & Per Englund, Martin Fengel, Jason Fulford, Nicolas Grider, Pierre Hourquet, Konst & Teknik, Eke Kriek, Emily Larned, Bryan Lear, Miranda Lehman, Seth Lower, Matt MacFarland, Katja Mater, Kelci McIntosh, Mark McKnight, Erin Jane Nelson, Ilia Ovechkin, Robert Overweg, Alex Prager, M. River, Noel Rodo-Vankeulen, Asha Schechter, Trevor Shimizu, Alix Smith, Jo-ey Tang, Jesper Ulvelius, Anne De Vries, Hannah Whitaker, Karly Wildenhaus, Ofer Wolberger, Ann Woo and Damon Zucconi


    Bond Street Gallery
    297 Bond Street, Brooklyn NY
    F/G To Carroll St. / R to Union St.



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    Hey freelancers! Are you doing your own doctoring? Need some enlightening health insurance advice?

    The Access to Health Insurance/Resources for Care site may be able to help you out. The lowdown:

    "The AHIRC database was created in 1998 by The Actors' Fund of America, with a grant from the National Endowment for the Arts, as a health insurance resource for artists and people in the entertainment industry. Since then, with support from The Commonwealth Fund, it has expanded to include resources for the self-employed, low-income workers, the under-insured, the uninsured who require medical care and many other groups."

    This thing is very helpful, it has lots of info and is easy to understand.


    Thanks, actors!

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    In our ongoing quest for hard-hitting journalism that asks the really tough questions, I'm rolling out a one-question interview this morning with none other than Jen Bekman. For those of you who don't know, Bekman has taken the art world by storm with her Hey Hot Shot shows and 20x200 editions; the former finds artists and showcases them, the latter makes good art affordable for everyone.

    Tonight is the opening for the latest crop of Hot Shots at the Jen Bekman Gallery. If you're in NYC, be there or be square:

    Anyhoo, here was my question for Jen:


    Dear Jen Bekman: why is this group of Hot Shots so extraordinary?
    !

    A bunch of reasons.

    I'm super excited about the new format-- twice a year, with only 5 photographers per edition. And now the show's up for two weeks instead of just one, and each photographer gets a $500 honorarium.

    Hello! What an amazing group of photographers. Diverse! Plus: loads of international intrigue.

    Colleen Plumb is from the heartland, but the other artists are from all over the world.

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    photo by Colleen Plumb

    Roc's from Portugal

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    photo by Roc Herms Pont


    Kate Orne was born in Sweden

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    photo by Kate Orne


    Derek's from New Zealand

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    photo by Derek Henderson


    and Juliane's from Germany

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    photo by Juliane Eirich

    To expand on the international theme: Juliane currently resides in South Korea and Kate's photojournalism mainly focuses on Afghanistan and Pakistan.

    So there's a lot to be excited about. And the show looks amazing, I just finished arranging the layout and the JB crew is hanging it.

    __

    Brilliant! Infos:

    Hey, Hot Shot! 2008, First Edition
    Jen Bekman Gallery
    6 Spring street, b/w Elizabeth & Bowery
    6pm-8pm


    For other openings, check out artcards.



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    Need a trophy for your wall?

    I KNOW you all are very diligent and remember to constantly apply for exhibitions and competitions and grants, and maybe even a residency or two; even so, I thought I'd remind you. There's nothing like getting into a little juried show to make your mother proud. And also to further your career.

    Here are four stops for you to make on your journey. I just found #1 today, hence the renewed excitement:


    1. photography grants and awards blog

    2. marketing photos with mary virginia swanson

    3. NYFA

    4. FJORD (excellent listings section)



    Also, this is still a good list to look at.


    Feel free to email with more!

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    Final countdown, guys: Shoot! The Day is Sunday. Are you all signed up?! If not, you lose. It's all booked up. Oh WAIT! I thought of a way you can come!! VOLUNTEER!

    Look how happy it's making those ladies above. That could be you. But with more photographers and maybe some beer.

    Give PhotoShelter's lovely Andrew a shout if you'd like to help out.


    Here's the line-up for Sunday, shamelessly copied from Allen's blog (all clever jokes are his, I cannot take credit):


    Rob Haggart from aphotoeditor.com (and former Director of Photography from a little magazine known as Men's Journal) will present his famous "Editorial Bootcamp" presentation, and then he's going to moderate an editorial buyer panel including:

    Yeah, that's right, just a few photo editors from some of the largest and most influential magazines in the world.

    Angela Natividad from adrants.com is going to lead an ad agency panel with an equally stellar grouping including:


    Then Rachel Rein, Art Buyer at Hill Holiday, New York,  is going to present "From Start to Finish: Finding the Perfect Stock Photos for a Major Campaign," which will highlight an agency project that employed stock photography for a major telecommunications provider.

    But we're not done.

    On the photographer side of the fence, we have:

    • Jazz Mandair and Gautam Pai from JaincoTech who will be discussing strategies for effective keywording.
    • PhotoShelter co-founder, Grover Sanschagrin, will take you through his very popular "Killer Websites for Photographers" presentation that he's given around the country
    • Apple will be presenting a workflow seminar using Apple Aperture
    • and Nikon's Sam Garcia will round it out with a discussion of photography in the digital era.
    And in case you get bored, you can head on over to the tradeshow room where the following companies will be presenting their wares:


    And then when it's all done, we'll pony up to the bar and raise our glass to the new wave of photography that you're helping to create.




    VOLUNTEER, YO!




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    Asako-Narahashi.jpg

    Yossi Milo
    continues to knock 'em out of the park; there's an opening and book signing at the gallery tonight in Chelsea for Asako Narahashi's water series.

    These calm me. I was so riled by those bulls.

    From the press release:

    Asako Narahashi's series half awake and half asleep in the water is a collection of C-Prints of various coastal sites in Japan. Since beginning the project in 2001, the artist has photographed over fifty locations with a Nikonos 35mm waterproof film camera.

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    Jonanjima, C-Print, 2002

    Narahashi floats chest deep in the ocean while facing back towards the shore, her camera held half-submerged in the water. By watching the waves without using the viewfinder, the artist times her pictures according to the swells of the ocean tide.


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    Momochi, C-Print, 2003

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    Mekari, C-Print, 2004

    From this vantage point, waves washing against the lens of the camera create unexpected relationships between water, land and sky. With the water in the extreme foreground, the ocean dominates the view and distorts the customary perspectives of bridges, airplanes, buildings and mountains. The images are suspended in moments of uncertainty, leaving conflicting sensations of calm and growing apprehension unresolved.


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    Yunohama, C-Print 2004


    Asako Narahashi was born in 1959 in Tokyo, Japan. She began experimenting with photography in the mid-1980s.


    If you're in the fair City tonight, take a look:
    6-8pm, 525 W 25 street.
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    perf19.jpg
    from Sage Sohier's "Perfectible Worlds"

    A not-to-be-named A-list gallerina pinged me despairingly last night:

    "Basel means no one is in New York this week, no one is going to galleries and everyone is bored. the WHOLE gallery was on facebook all day long because we had like 2 people come in and we got about 3 phone calls."

    Well folks, if you can't go to Switzerland with Brad, I've found a few events for you in 'lil old NYC. Some things are still happening (and they include Norwegian Death Metal).

    Voila:

    TONIGHT:

    Sage Sohier "Perfectible Worlds"
    Foley Gallery
    W 27 street, 547, floor 5
    6-8 pm


    Julian Montague "To Know The Spiders"
    Black and White Gallery
    W 28 street, 636
    6-8 pm

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    FRIDAY:

    New York Press: On the Wall
    Curated by J. C. Rice at Haven Arts
    Bruckner boulevard, 50, building A
    Bronx, NY
    5-9p

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    Amerika
    Group Show
    part of Bushwick Open Studios & Arts Festival
    174 Bogart St. #316
    Brooklyn, NY(L to Montrose)
    7pm

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    photo by Chiara Goia




    Book Signing:
    True Norwegian Black Metal by Peter Beste
    Dashwood Books
    33 Bond Street
    6-8 pm

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    MONDAY:

    Lecture: Photography: "Fandomania: Characters & Cosplay: Elena Dorfman"
    Aperture Foundation
    W 27 street, 547, floor 4 
    talk and book signing at NYPL 455 5th Avenue
    6:30pm

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    Photo by Jack Delano for the Office of War Information, April 1943.


    Okey doke, we all know nothing in life is accomplished without a little elbow grease, so take a look at these calls for entry and do your worst. And make sure to check back to this list as well, especially if you're a photojournalist.


    ADC Young Guns


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    The ADC Young Guns competition, hosted by the Art Directors Club based in New York, has made it their mission to recognize and rally around the brightest young professionals working internationally across a multitude of creative disciplines.

    Entries to Young Guns 6 are now open to creative professionals under 30 who are producing work of a high standard and have at least two years of professional experience under their belts.

    Fifty winners, as selected by a panel of Young Guns alumni, will have their work showcased in a gallery exhibition in New York later this year, published in a limited edition ADC book and will receive a 1 year membership to the premiere creative collective organization.



    The 24th Annual PDN/Nikon Self-Promotion Awards

    All Winners in first, second and third will be featured in /PDN/'s October 2008 issue, on PDNonline and at the Awards Ceremony during PDN's PhotoPlus Expo International on October 23 to 25, 2008.

    The Grand Prize Winner will receive a Nikon Digital SLR Camera and a portfolio on PhotoServe.com

    First Place winners will receive a Nikon camera and a portfolio on PhotoServe.com.


    The Camera Club of New York's National Photography Competition

    -Each entry to consist of 6 digital images.
    -Application fee is $40.00.
    -Deadline for receipt of entry is (postmarked) June 30, 2008.
    -Chosen artist will receive a one-person exhibition in our gallery and a cash award of $300.00.
    -Other finalists will participate in a group show.


    The West Prize

    The West Prize will be awarded to ten international emerging artists in 2008. The prize will award $100,000 in acquisitions between the finalists and host a finalist TEN exhibition with accompanying publication. A grand prize winner will be chosen from among the finalists to receive a $25,000 cash prize in addition to a West Collection Acquisition.


    National Portrait Gallery Competition

    The National Portrait Gallery invites artists all over America to investigate the contemporary art of the portrait for the second Outwin Boochever Portrait Competition, to be held in 2009. The competition and resulting exhibition will celebrate excellence and innovation, with a strong focus on the variety of portrait media used by artists today. The National Portrait Gallery welcomes single figures, groups, or self-portraits--from classical drawing and painting or hyperrealistic sculpture to large-scale photography to prints and new media. The competition is named for Virginia Outwin Boochever (1920-2005), a former Portrait Gallery volunteer whose generous gift has endowed this program.


    The Pilsner Urquell International Photography Awards

    The Pilsner Urquell International Photography Awards seeks photographers for their international photography competition. Winners will be invited to attend the Lucie Awards, presented by Pilsner Urquell, where the grand winner will be announced, earning the coveted Lucie and a cash prize of $10,000 provided by AtEdge.



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    newlogo.jpg

    The Aperture Prize for 2008 has put out its beacon call for entries. This is a good one; Aperture is a class act, and It's great just to get your work in front of them. Get to it! If you feel anxiety, here are some FAQs.


    From the press release:

    The purpose of the Portfolio Prize is to identify trends in contemporary photography and specific artists whom we can help by bringing their work to a wider audience. In choosing the first-prize winner and runners-up, we are looking for work that is fresh and that hasn't been widely seen in major publications or exhibition venues.

    First prize is $2,500. The first-prize winner and runners-up are featured on Aperture's website for approximately one year. Winners are also announced in the foundation's e-newsletter, which reaches thousands of subscribers in the photography community.

    The entry period for the 2008 Aperture Portfolio Prize is Thursday, May 1, through Friday, July 11.


    Last year's winner was Jessamyn Lovell, whose project Catastrophe, Crisis, and Other
    Family Traditions
    was really a "journal that includes the stories and the erratic, transformative struggles my family has dealt with . . . a personal documentation of an American family struggling with class, religion, and disability."

    There are some really intimate portraits in this work, and a lot of humor.


    klareeyelashes1.jpg
    Klare in the Bathroom, 2006

    Lovell also includes maps of the house on her website, which I think adds a whole new dynamic and really pulls me in. These were originally simply part of her organizational method:

    "I began making these maps when I first started working on my book. The purpose was, at first strictly utilitarian. I drew them in my journal in an attempt to try and retrace the history of my family's house. Being so far away from my family makes it very difficult to do the work sometimes. The maps allow me to keep track of where everything is physically. After showing them to a few people I began making more of them and including them in my book and with my work. I feel the maps allow the viewer into the space of my memory."

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    Map of Kitchen, from journal, Spring 2001

    layofland03.gif
    Lay of the Land, from journal, Spring 2003



    The family theme is coming together today nicely, I think. Check out more of Lovells' work on her site, and check out the work of the 2007 runners-up:

    Ian Baguskas
    Cynthia Greig
    Shai Kremer
    Tomoyuki Sakaguchi



    And APPLY!
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    shimoda.jpg
    photo by Kelly Shimoda, from The Pollinators, 2008

    In honor of the almighty Pulitzers, I've spent the morning compiling a list of contests, grants, fellowships and publishing opportunities that are particularly geared to you photojournalists out there. I can't claim all the research credit here; I reached out for help to Kelly Shimoda, of Veras Images, a "collective of emerging international photographers based in New York who have assembled to provide coverage of compelling feature stories, under-reported topics, and significant social trends."

    Luckily for me, Kelly is a keeper of the contest list for Veras, and passed on her info. Remember dudes, you must spread your application seeds far and wide to gather the fruits of your photographic labor. Go to it!


    *and send me any we missed; obviously there are scads.


    In no particular order....


    World Press Photo

    The contest is open to all professional press photographers. There is no entry fee.
    Not only photographers, but photo agencies, newspapers and magazines from anywhere in the world are invited to submit their best news-related pictures of the previous year. Both single images and photo stories are eligible. The results are published on this website. Entry forms for the contest come out in October.

    National Press Photographers Association
    Loads of contests and grants happening here. Best to go to the site.

    Alexia Foundation
    The professional Alexia Grant recipient will receive $15,000 for the production of the proposed project (there is also a student category). The Alexia Grant was not established with the single purpose of rewarding the best photographers -- this is not a portfolio competition. The grant will be awarded to a photojournalist who can further cultural understanding and world peace by conceiving and writing a concise, focused, and meaningful story proposal, and who can demonstrate the ability to visually execute that story with compelling images. There is no mathematical formula for determining grantees, but the proposal and photography must both be considered of the highest quality.

    The F award
    Fabrica and Forma, International Center of Photography (Milan), are proud to launch the second edition of the F Award, an international contest for concerned photography open to photographers from all over the world.

    Inge Morath Award
    Magnum Photos announces the fifth Inge Morath Prize to be awarded to a woman photographer under thirty years of age. The $5000 prize is given to assist in the completion of a long term documentary project. Inge Morath was an Austrian-born photographer who was associated with Magnum for almost fifty years. She died in January, 2002. As Inge devoted much of her enthusiasm to encouraging women photographers, this award is given as a tribute by her colleagues.

    Leica Publishers' Award
    The Leica European Publishers' Award for Photography is a photography award, handed out once each year by the photo book publishing firms Actes Sud (France), Apeiron Photos (Greece), Dewi Lewis Publishing (UK), Edition Braus im Wachter Verlag (Germany), Lunwerg Editores (Spain), Peliti Associati (Italy), Mets & Schilt (The Netherlands) and Leica.. To be eligible for submission, photographers must submit completed and unpublished photo projects in book form. The project of the winning participant is published by the participating publishing firms in the relevant country and in the relevant language in a total of 5,000 copies.

    Aperture Portfolio Prize
    The purpose of the Portfolio Prize is to identify trends in contemporary photography and specific artists whom we can help by bringing their work to a wider audience. In choosing the first-prize winner and runners-up, we are looking for work that is fresh and that hasn't been widely seen in major publications or exhibition venues.
    First prize is $2,500. The first-prize winner and runners-up are featured on Aperture's website for approximately one year. Winners are also announced in the foundation's e-newsletter, which reaches thousands of subscribers in the photography community.

    W. Eugene Smith Memorial Grant
    The W. Eugene Smith Grant in Humanistic Photography is presented annually to a photographer whose past work and proposed project, as judged by a panel of experts, follows the tradition of W. Eugene Smith's compassionate dedication exhibited during his 45-year career as a photographic essayist. For 2007, the grant will be $30,000, with an additional $5,000 in fellowship money to be awarded at the discretion of the jury. The grant program is independently administered by the W. Eugene Smith Memorial Fund.

    Alicia Patterson Prize
    The Alicia Patterson fellowships are open only to U.S. citizens who are fulltime print journalists, or to non-U.S. citizens who work fulltime for U.S. print publications, either in America or abroad. The aim of the trustees who established the foundation was to improve the quality of U.S. print journalism. The fellowship stipend is $35,000 for twelve months and must cover your travel and research costs. Winners are expected to begin their fellowships within the first three months of the calendar year. Fellowships last 12 months.

    Soros Foundation: Moving Walls 15 Documentary Photography Exhibition
    Moving Walls is an annual documentary photography exhibition produced by OSI, a private operating and grantmaking foundation that works to build vibrant and tolerant democracies whose governments are accountable to their citizens. The exhibition series is an artistic interpretation of the obstacles--such as political oppression, economic instability, and racism--that society often erects, and the struggles to tear those barriers down. Since its inception in 1998, Moving Walls has featured nearly 100 photographers whose work addresses a variety of social justice and human rights issues that coincide with OSI's mission.The Open Society Institute encourages photographers to submit documentary work of national or international subjects that coincide with the issues and geographical areas that are principally of concern to OSI.

    Amnesty International Media Awards
    The annual Media Awards recognize excellence in human rights reporting and acknowledge journalism's significant contribution to the UK public's awareness and understanding of human rights issues.

    Visa Pour L'image
    Many Awards Available, including the Canon Female Photojournalist of the Year, the Care International Award for Humanitarian Reporting, and the City of Perpignon Young Reporter Award.

    Toscana Photographic Workshops - Boulat Scholarship

    To honor the memory of Alexandra Boulat, who taught  at TPW in these last years, TPW has created a special scholarship. This will consist in the possibility to attend a workshop in Tuscany for free (included room and board - not including travel expenses) and work under the guidance of  master photographers. It will be offered to a young photojournalist, male or female, under 35 year old.

    Gordon Parks International Photo Competition
    An integral part of the Gordon Parks Celebration for Culture and Diversity will be the Gordon Parks International Photo Competition which has been conducted by Fort Scott Community College since 1990. More than 3,100 individuals from around the world have participated in this annual program that, inspired by the photography of Gordon Parks, reflects important themes in life such as social injustice, the suffering of others, and family values.

    Center (Santa Fe)
    The competitions are open to all photographers, national and international, except Center employees, board members, advisory council members and contest sponsors.
    Work derived from all photographic processes, both traditional and digital, are accepted, as well as mixed media work that is photo-based. Both fine art and documentary photography are welcomed. Work that has been published in book-length form by a photographic publishing house or university press is not eligible for the Project Competition. Previous winners of the Project Competition may not enter again with the same body of work.

    The Berenice Abbott Prize for an Emerging Photographer
    The Julia Dean Photo Workshops is Proud to Announce The Berenice Abbott Prize for an
    Emerging Photographer. Prize includes A Canon EOS Digital SLR Camera, plus all expenses paid for a one-person exhibition at the Julia Dean Gallery at Venice Beach, California.

    FiftyCrows International Fund for Documentary Photography 
    Now in its 14th year, the International Fund for Documentary Photography competition remains one of the premiere photography programs in the world. As the core program of FiftyCrows, the Photo Fund supports emerging documentary photographers whose outstanding ability in visual storytelling leads us to a better understanding of our common humanity.

    National Geographic Grant
    *do this one next year, the deadline was Feb 15.
    Following its long tradition of supporting and fostering new photographic talent, National Geographic magazine will again award an annual grant of $50,000 to a professional still photographer. In addition to the grant, the magazine will assign a photography editor to provide guidance for a project undertaken by the grantee. The grantee will have full access to all of the facilities provided to the magazine's regular contributing photographers.

    Puffin Foundation Grants

    The Puffin Foundation Ltd. continues to make grants that encourage emerging artists in the fields of art, music, theater, dance, photography, and literature whose works due to their genre and/or social philosophy might have difficulty being aired. The Foundation does not have the means to fund large film/documentary proposals, grants for travel, continuing education, or the writing or publishing of books. Average grants are: $1,000.00 - $2,500.00

     



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    foglia.jpg

    photo by Lucas Foglia, a 2007 artist-in-residence


    You should. Since 1976 over 300 artists have participated in Light Work's Artist-in-Residence program. Be the next, yo.


    "Each year Light Work invites 12-15 artists to participate in its residency program. Artists selected for the residency program are invited to live in Syracuse for one month. They receive a $4,000 stipend, an apartment to stay in, private darkroom, and 24-hour access to our facility. Our newly renovated lab facility can accommodate just about any black and white process from alternative processes to mural printing. Our color facility includes a Hope 32" color processor. Our color managed digital imaging lab features Macintosh workstations equipped with flatbed & film scanners. Output includes three 44" Epson seven-color printers (9600 and 9800) that can render continuous gray-scale and color prints onto a broad variety of materials. Artists use Adobe Photoshop, Illustrator, InDesign, and Macromedia Director Studio, Flash, Dreamweaver, Adobe Premiere, Apple Final Cut Pro, DVD Studio Pro software packages, iLife, and more."



    lightwork2.jpg lightwork1.jpg


    "While there is no formal deadline, we complete reviews of portfolios every two or three months. The next review process will consider all portfolios we have received by the end of April. We are currently scheduling residencies for 2009, although one or two spots remain for 2008."



    Here are some of the people who have taken advantage of this amazing opportunity:

    James Casebere
    Renee Cox
    Carrie Mae Weems
    James Welling
    Cindy Sherman
    Joel Sternfeld
    Dawoud Bey
    David Graham
    Andrea Modica
    Lisa M. Robinson


    Not too shabby. And there are tons more.


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    House Blog - Building The Commercial Photo Community