Recently in editorial Category

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I had a lovely lunch today with the always effervescent  Fiona Aboud, who has just put together a book chronicling the lives of Sikhs in America, after two years of shooting. The book is up for the "peoples' choice" vote in the Blurb "Photography Book Now" contest; go take a look, and make a choice!

In any case, the work is truly excellent and interesting. Just on the very off-chance you aren't an expert on Sikhism, here is a primer, culled from our friend Wikipedia:

"Sikh  is the title and name given to an adherent of Sikhism. The term has its origin in the Sanskrit 'disciple', 'learner' or 'instruction'. Many male Sikhs can easily be recognized by their turbans, beards, or steel bracelets on their right wrists. Steel bracelets are also worn by Sikh women.

The evolution of Sikhs began with the emergence of Guru Nanak as a religious leader and a social reformer during the fifteenth century in Punjab. Their identity was formalized and wielded into uniform practice by Guru Gobind Singhon March 30, 1699. The Sikhs established a nation under Ranjit Singh in the nineteenth century in which they were preeminent. They were known for their military prowess, administrative capabilities, economic productivity and their adaptability to modern western technology and administration.

The Sikhs comprise about two percent of India's billion-person population. The greater Punjab region is the historic homeland of Sikhism, although significant communities exist around the world.

Sikhs are required not to renounce the world, and to aspire to live a modest life.
Seva (service) is an integral part of Sikh worship, very easily observed in the Gurdwara. Visitors of any religious or socio-economic background are welcomed, where Langar (food for all) is always served."

Ok, now you know.

Words and pictures below are Aboud's.

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I began my photographic exploration of Sikhs in America as a personal education and exploration. Through out my life I have always strived to understand things that I feel are misunderstood by myself and society at large. After 9/11 when Balbir Singh Sodhi was gunned down in Mesa, Arizona on Sept. 15, 2001-- the nation's first post-9/11 victim of a hate crime -- the press did profiles on Sikhs and Sikhism explaining that they were not Muslim and giving people a sound byte of knowledge. Years later I still had the question: what is a Sikh American? What was their American experience like?


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I have traveled across the country to Georgia, Kentucky, Tennessee, New York, New Jersey, Connecticut, Virginia, Texas, New Mexico, and I have trips planned over the next 6 months to Arizona, California and Montana, to further document this community.

In the face of continued discrimination and hate crimes that largely go unreported by the media, many Sikhs remain strong and steadfast to their beliefs and traditions. The next generation is split between those that have assimilated and those that continue the Sikh traditions, in many ways mirroring the struggle of all immigrant groups that strive to balance tradition with the pressure to assimilate. The youth are redefining what it means to be Sikh in America because America is the place where they feel at home.


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Most any Sikh person will undoubtedly know a Sikh in every corner of the US. The Sikh community has a unity that is unlike any other religion in the US.  Despite the relatively small size of the community, Sikhs are always going to events in other states and meeting and keeping in touch with Sikhs in other States. In part that is what made this project easier to produce. Once I had met a handful of people in the NY and NJ area it opened me up to the North American community of Sikhs. Another thing that helped me complete my project was the hospitality that I was proffered. Coming from a Jewish background,  I would joke that every Sikh person is like my Jewish grandmother-- always offering me food and making sure that I was fed.

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I do not pretend to be an expert about Sikhism and its many rich traditions and texts. I am a beginner, an admirer and an observer. Sikhs are living as Americans in America. They share a common religion, but are as diverse in their ways of observance, practice, professional choices, lifestyle and place of origin. They proudly hold onto their Sikh religion and traditions, but believe they are strongly American even if the outside world does not see it.


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See more of Fiona's work here, see the blog for the book project here, and vote for the book, here.


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Look folks-- it moves!



From Design42day:

"Celebrating its 75th anniversary, american men's magazine Esquire comes with a very special cover. A limited number of copies (100,000 of the total 720,000 print run) will feature an experimental cover that was built using electronic ink. The price, although undisclosed, is prohibitive, and Ford has been brought in as a 'sponsor': A moving car ad appears on the inside cover. Esquire even had to design a battery (a 'six-figure investment') that was small enough to fit into a magazine and keep things running until the mags are sold. The batteries will last for 90 days."

I hate to hate in the face of jaw-dropping technology, but I wish they'd chosen a more interesting graphic. Something with a pretty lady, maybe.

Like you know, Blade Runner:

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Oh Los Angeles, 2019. I can hardly wait for you.

Good thing you shall actually be a reality.


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Eric A. Hegg

A bit more gold, and then we'll move on. These images are from the amazing archive of Eric Hegg photographs at the University of Washington which  document the Klondike and Alaska gold rushes from 1897 - 1901. Images include depictions of frontier life in Dawson City, the Yukon Territory, and Skagway and Nome, Alaska.

Some more info...

In the fall of 1897, after hearing of the gold strikes in the Yukon Territories, Hegg joined the thousands of gold seekers heading north. Accompanied by a group of men from Bellingham Bay , he traveled by steamboat up the Inside Passage through British Columbia to his destination in Alaska. Finding his passage further north closed due to the freezeup on the Yukon River, he settled temporarily in Dyea, Alaska which was the jumping off point for the Chilkoot Trail to Dawson. Here he opened a small photography studio. Later, during the winter of 1897-1898, he established a second, more substantial, studio in Skagway.


The photographer Per Edward (Ed) Larss who had arrived in Skagway in March of 1898, was employed by Hegg to assist in documenting the huge migration to the Yukon known as "the Stampede". For a short time, he and Larss made frequent trips to the Chilkoot Pass following the footsteps of the thousands of Klondikers who wound their way up the Dyea River to the Golden Staircase and over over into British Columbia. They also documented scenes along the White Pass Trail. Along the trails they recorded the sail driven sleds, temporary tent towns, piles of snow covered food caches and the many hardships endured by the Klondikers as they neared their goal.


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Bar at the grand opening of the Opera House, Dawson, Yukon Territory, July 4, 1899.


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Captain Jack Crawford and group of people at social event, Dawson, Yukon Territory, ca. 1899.


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Four men using rocker to mine for gold on Nome beach, Alaska, ca. 1900.

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Aftermath of a fire in Dawson, Yukon Territory, October 14, 1898.


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Captain Jack Crawford and group of people at social event, Dawson, Yukon Territory, ca. 1899.


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Exhausted Klondiker resting on the trail, probably Alaska, 1898.

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Gold nugget from Pioneer Mining Co.'s claim on Anvil Creek near Nome, Sepember 29, 1901.




See the full archive here. And steer clear of Captain Jack!
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Ooh, I'm panning for gold all over the place today, and I figured I'd try my own backyard. Here are some golden moments from the PSC.

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The very strangest is after the jump.



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Hiroji Kubota, Golden Rock, Kyaikto, Myanmar, 1992


I think we need some magic in here today, and I think Hiroji Kubota's Golden Rock is just the thing. I found this image on photo-eye, and searched and searched to find out its story. And here it is, couched in a New York Times review from 1997 of the Magnum photographer's show:

"Born in 1939 in Tokyo, Mr. Kubota saw his share of death and suffering while growing up in a war-ravaged country. He has said that he is a photographer, not a photojournalist, and that he leaves the coverage of war and mayhem, corruption and repression to others. ''Out of the East,'' therefore, is a vision of Pacific Rim Asia that is both timeless, with its images of gorgeous landscapes and the pervasive influence of Buddhism, and ever-changing, showing the influence of Western architecture and popular culture and Western-style economic development.

The show's most arresting image is not of stunning economic change but of a huge rock, revered by Buddhists and covered in gold leaf, that perches on the edge of a high mountain in Myanmar. Mr. Kubota shows the sheer magic and power of the rock by cropping off its top. This golden precarious wonder sits dead center against a deep blue sky, its imposing size contrasted with six (small by comparison) crimson-robed priests kneeling to one side of it and the low dark hills below."

Everyone needs a golden idol to worship. Me, I have a pig.

Come to think of it, I also worship a very special gold sponge.

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You know what's next: send in your golden idols, folks!



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1. Low Brow: Money Celebrities!

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2. High(er) Brow: Daryl Lang of PDN interviews Brent Stirton, of People Magazine cover shoot fame, at Perpignan:

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Also, Stirton shot some amazing imagery in the Congo for Newsweek, but you know, this is about Brad.
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Eric Etheridge's Breach of Peace post got a lot of deserving praise last week, and I received many related emails. One was from Mark Tucker, who told me about an assignment he was given for Newsweek ten years ago, to mark the 30th anniversary of Martin Luther King Jr.'s assassination.

Tucker worked with picture editor Debbie Edelstein at the magazine, and traveled around the country to photograph the men who had been closest with King at the time of his death. He was given tremendous freedom in how to create the images:

"Debbie was the ultimate picture editor for this project -- she just said, 'Go do what you do'. Who could not love that? We traveled across the country, finding these men in their current occupations, and I think we shot the whole project on 665 Polaroid, and cleared the negatives at night in the hotel room. Looking back now, it seems pretty crazy to have done the whole project on 665 neg, but it felt right at the time. I can't remember now whether David Halberstam's book, The Children, had come out yet when we did this assignment, but it gives further intimate details about the climate of that period."

Here are the results:

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Jesse Jackson, Chicago


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Representative John Lewis, on the Edmund Pettus bridge, Selma, Alabama


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Ambassador Andrew Young, Atlanta


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Hosea Williams (now deceased), Atlanta


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Dexter King, Atlanta


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Dr. Joseph Lowery, Atlanta


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Julian Bond, Charlottesville


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Marion Barry, Washington DC


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C.T. Vivian, Atlanta


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Walter Fauntroy, Washington DC


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Ooh, an eventful trip to Ads of the World this morning; looks like Lexus picked up on a little photographic trend, and Microlamp found a Creature in the Abyss. Not to be smug, guys, but we found these first: 1. wee planets; 2: into the deep.

I AM glad that advertising is using interesting imagery. Gone are the days of apoplectic dudes holding up oak board signage on car lots, promising re-financing beyond your wildest dreams.

right?

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LEXUS
Advertising Agency: Saatchi & Saatchi, Sydney, Australia
Creative Director: Steve Back
Art Director: Myles Allpress
Retoucher: Innes Robins / Electric Art
Photographer: Alan McFetridge
Copywriter: Todd Sheldrick

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photo by Alexandre Duret-Lutz


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MICROLAMP

Advertising Agency: Damman Pearce, Atlanta, USA
Creative Director: Bobby Pearce
Art Director: Dave Damman
Designer: Charlie North
Copywriter: William Bloomfield

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photo by Claire Nuvian

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Hey Guys-- heading to the beach for one last sand castle before this summer gig is up? Maybe you need some advice about how to frame that charming sea shanty! We'll be running a travel article over on School of Stock next week, but I got such great information from Endless Vacation Magazine's Moya McAllister when interviewing her for said article, that I thought I'd share some with ya now. There she is, above.

Moya currently produces and directs photography for many of Story Worldwide's publications, especially travel magazine Endless Vacation for RCI and also clients such as UPS, Bank of America, ILORI, Unilever and others. She is involved in concepting shoots, hiring photographers and stylists, casting models and directing shoots on-location.

Moya is going to parse two layout in the magazine for us-- she'll tell us why she chooses which images, how they're made, and essentially let us into her head.

Thanks, Moya! All the following words are Ms. McAllister's.

___

Endless Vacation Magazine's motto is Play - Eat - Shop - Relax - Explore.  Each feature story we publish, whether it's themed a "Relax" story or an "Eat" story, will incorporate the motto throughout, especially visually. For an 8 page feature - each of these photographers probably shot 10-16 hours a day for 4-5 days. They probably captured over 2500 images on the shoot, and turned over about 500 images for my edit. We publish somewhere between 15-25 images per feature story.

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For the Core Banks story (from Endless Vacation's third issue - July/August 2007)-- I hired experienced travel photographer, Rob Howard, to shoot this lesser-known area, the Core Banks of North Carolina's coast.

What I love about Rob's work is that he has a graphic approach to composition and framing. Note the left-hand photo on the opening spread. An iconic white house on the beach is almost center frame, with enough environmental details surrounding for most US readers to know that is an eastern seaboard location. The side of the house is parallel to the film plane, increasing visual impact of the pentagram-like shape. Designers like images like these not only because they are powerful enough for a full page, but also because there is plenty of room for type over the image at the top of the frame.

A different example of visual impact is the detail shot on the right of the opener. A close-up, multiple-layer view of colorful lobster buoys gives the viewer another contrasting aspect of this seaside destination, but closely tied in theme to the image it is paired with.  The other item of note is that the art director was able to pick up the strong red from one of the lobster buoys, incorporate that color into the type design and the fun design element of the transparent red tape throughout the layout.

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What really shows consistently throughout the layout is that Rob, as a photographer, interacted and experienced the Core Banks with the keen curiosity of a dedicated traveler. This seaside location is captured in many different types of images but they all tie together to evoke a feeling of shared experience-- a close detail of a window decal about pirates reminds readers of the rich history of the area, signage for a boat tour clues people in about what they could do, the meal on the table is ready to eat, a family Rob met randomly is enjoying the beach, the aerial shot from a small plane gives an even bigger sense of place. Rob also spent time in the dunes amongst the wild ponies, making them feel secure in his presence, in order to portray the serenity of the herd.


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The second layout is from July/August 2008.


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For the Andalusia, Spain story, Barcelona photographer, Francisco Guerrero, caught my eye a few years ago because of the rich color of his photographs-- rich color that is representative of a mood or time of day, not super-saturated or overdone in Photoshop.

Francisco's shoot of Andalusia had to cover a lot of ground, over mountainous terrain, through some of Europe's most verdant rural areas and oldest historic cities.

On the left side of the opening spread, Francisco found an elevated view of the cliffs of Ronda that shows not only the rich farmland in the far distant background, but the architecture of this ancient city in the mid-ground, and the deep chasms surrounding it in the foreground. There's no wasted space in this image, it's full of information.

It is paired with a family gathering at a restaurant in Zahara that conveys the warmth of the people as well as the cultural cuisine. Of note, camera focus is kept on the food, which is specific to the region, in the lower half of the image. The family members in the background and upper right add emotion to the moment and keep this from being just another food shot, but those elements don't need to be super sharp to do that.


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The next three spreads follow the route of the story, from Seville's grand cathedral to lunching al fresco in Malaga; each spread has 2-3 photos that incorporate a human element, such as a hand, utilzing a torso as background, a laughing group of friends.  Travel stories are more effective, in my mind, if the viewer connects with the experience and can 'see' themselves in that moment, in that place.

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There is also a big variety of types of image: images taken at different times of day set mood and keep the story moving visually through time; interiors and exteriors of buildings have cultural or ethnic references; also, details, overviews and landscapes are represented in each spread. This keeps the eye moving around the page, which encourages the reader to, well..... read the story!

Lastly, back to Francisco's color - the richness of Andalusia's culture and history is tied together by the strong recurring grass greens, burnt oranges and rustic reds of the photos.


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--

Bravo!
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A.
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Corsica, France
Ed Alcock for the New York Times

B.
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Ischia, Italy
Adam Eastland/PhotoShelter


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sign me up, travel gods.


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Our intrepid reporter Jennifer Hsu, who is at the RNC for the The Takeaway
(a co-production of WNYC Radio and Public Radio International in collaboration with the New York Times, BBC World Service, and WGBH Radio Boston), sent us some pictures of the speaking floor that you'll rarely see on television. Jen writes: "have you noticed the big images they display behind the Republican speakers? Something you probably can't really notice on TV: they display these odd photos during the speeches. Sarah Palin might be making a grand declaration about U.S. foreign policy and suddenly, there's Old Faithful spouting."

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Palin.

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Giuliani.

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Huckabee.


"My photo of the Huckabee image is too small....but it's really odd. A half-deserted parking lot. I'm dying to know what McCain will have behind him."


We are too, Jenn!

UPDATE: McCain got a Junior High School. From intrepid reporter Hsu:

"This one is almost as weird as Huckabee's parking lot.... AND this isn't actually a photo. McCain got special treatment: This image is actually a looping video. I realized this when all of a sudden I saw a tiny figure walking up to the entrance of the school!"

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You can't make something this good up, folks.


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From downtown Wasilla, itself.


Reminds me of another image, after the jump.



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I just discovered The Panopticist, and I must say: Color me amused. This Palincrastinator just lost another hour.


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Andrew Hearst
made these, and he has real, live, magazine experience. I bet he even owns a passport. He'd probably make a good VP candidate, come to think of it.

BONUS:

Andrew's bio photo appears to have been taken by Youngna Park, who is a lovely person and photographer. +10 points.
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I'm thrilled to finally see some of the work from Hijacked, Volume One, America and Australia available online-- I've been hearing about this amazing book collaboration on individual artists' sites for months, and it's now rolling out big and glossy, daily-- over at Andy Adams' Flak Photo.

Hijacked
is "a photographic book + exhibition that gives voice to some of the most exciting and provocative photographers working in Australia and America today. These images erase traditional boundaries between art, document and snapshot to point towards the future of contemporary photomedia."

Below is a video explaining it better, and here is the link to the publisher.



I was immediately captivated by Greta Anderson's image from the book on Flak Photo (maybe because I was in a Palin kind of mood-- you know: guns, wildlife, hidden truths...)

In any case, here are more. They sort of floor me.

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See more of Anderson's work on her site.

And keep checking Flak Photo for their daily updates. The artists include fan favorites Timothy Archibald, Greta Anderson, Grant Willing, Alana Celii, Bill Sullivan, Caitlin Harrison, David Griggs, Emily Portman, Gareth Willis, Graham Miller, James Mellon, Janelle Ryan, Jason Lazarus, Juha Tolonen, Karron Bridges, Lisa Kereszi, Mark McPherson, Martin Mschkulnig, Michael Gray, Nathalie Latham, Nicholas Chatfield-Taylor, Robin Schwartz, Shen Wei, Suzy Poling and Amy Stein.

What could be better?

You can buy the book here.
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I've always loved Lauren Lancaster's 2005 project about stock brokers, in which she followed a group of hard-working, hard-partying fellows in Manhattan's financial district for three months. She followed them to work, to bars, on the subways, and into the office.

A laborious project, about laborers.

Very labor day-appropriate (or the day after, but who's counting). Anyway, enjoy.

And welcome back to work.

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See more of Lauren's work here.
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A man modeled a Burberry umbrella in Vogue that costs about $200. Some 456 million Indians live on less than $1.25 a day.

From The Times:

"Vogue India's August issue presented a 16-page vision of supple handbags, bejeweled clutches and status-symbol umbrellas, modeled not by runway stars or the wealthiest fraction of Indian society who can actually afford these accessories, but by average Indian people.


Vogue India editor Priya Tanna's message to critics of the August shoot: 'Lighten up,' she said in a telephone interview. Vogue is about realizing the 'power of fashion' she said, and the shoot was saying that "fashion is no longer a rich man's privilege. Anyone can carry it off and make it look beautiful," she said.

'You have to remember with fashion, you can't take it that seriously,' Ms. Tanna said. "We weren't trying to make a political statement or save the world," she said."


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In Vogue India magazine, a child from a poor family modeled a Fendi bib, which costs about $100.


"The editorial spread was 'not just tacky but downright distasteful' said Kanika Gahlaut, a columnist for the daily newspaper Mail Today that is based here, who denounced it as an 'example of vulgarity.' "


Read the whole article here.


What say you, reader?


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Now this post features a side-by-side and some apparent airbrushing (or the opposite.) We are very thematic today.

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left: 2008
right: 2006

What does it all mean? Check out the brilliant BAGnewsNotes for a synopsis.

And have a wonderful long weekend, filled with lobsters and dreams of your favorite candidate. We'll be back on Tuesday.
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Really, you can have him right in your bedroom, as soon as this week:

"The Sports Illustrated Group today announced that the iconic August 25, 2008 SI cover featuring Michael Phelps wearing all eight of his 2008 Olympic Gold Medals will be commissioned as a poster and available to a global audience. This is a first for the SI franchise.

'This cover represents photo journalism at its finest,' says Sports Illustrated Group President Mark Ford. 'Our mission is to create innovative ways to deliver sports fans our award winning content and this is the latest example. We are thrilled that this amazing image will be our first commissioned poster.' "


Mhmm, its finest, for sure. Phelps wears his trunks awfully no, does he not? Reminds me of this.


Anyhoo, get your Phelps here. And read about getting your Phelps, here.



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Today started off rather clever and design-ish with Ji Lee, and I think I'll continue the clever and add a dose of dreamy with some John Clang.

I love these three pictures-- they rotate nice and big as the splash image on Clang's site, so I keep refreshing the page to see each one.


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I don't really understand what's going on here, but I like it.

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Clang has lots of interesting projects, but the one that caught my eye today is "submerge".


I love the black-and-white. I love the casting.

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ah, to be underwater.

see more john clang.
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It's punny in here today.

Weekend re-discovery: the designer and clearly awesome and brilliant Ji Lee. Here's how it happened: I was reading The Times. Then I saw this clever image above, illustrating the article "The American Wanderer, in All His Stripes", about Mr. Obama's transitory background.

I googled Mr. Lee and realized I had written about him previously, not knowing about his editorial work. Looks like he's had quite the partnership with this paper; when I went back and looked at these illustrations, I remembered almost all of them.

Lee does tons of branding and design projects and still has time for his own work. A graduate of Parsons in 1995, he also has the little title of Creative Director at Google Creative Lab. Color me impressed.

Anyway, he and Nicholas Blechman at The Times seem to have a nice partnership. Here are some noteworthy tears. I'll show you some other stuff down below, from Newsweek and Cheerios and Tylenol and such. And the best business card ever.


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The 10 Best Books of the Year
Creative Director: Nicholas Blechman


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Ethics of Killing for Food
Article By Frank Bruni / Photography by Daniel Root / Creative Director: Nicholas Blechman


Whole Foods announced that it would no longer sell live lobsters, saying that keeping them in crammed tanks for long periods doesn't demonstrate a proper concern for animal welfare. Nonetheless, the lobsters are being killed anyway to be eaten by the consumers. This article discusses the ethics involved in killing animals for food.


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Red Cross Dilemma

Article by Stephanie Strom / Creative Director: Joon Mo Kang

Article about the financial crisis Red Cross is facing by the increasing trend of donors who want to contribute for specific causes which makes it hard for the Red Cross to raise money for its own internal financial needs.




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"Falling Man" by Don DeLillo / Article by Frank Rich / Creative Director: Nicholas Blechman
A novel about a man who survives 9/11.



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Newsweek
Challenge: Create a brand campaign for Newsweek magazine. Solution: Juxtapose images from the news to provide a unique editorial perspective on current issues.


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Tylenol
Challenge: Create a brand campaign to position Tylenol as the leader in the pain-relief medicine category. Solution: Ads as a pain-relief.


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Cheerios
Print campaign to communicate Cheerios have five different flavors.



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New Museum (reveal)
We poured drips of magenta ink on top of the Calvin Klein Billboard on one of the most prominent streets in downtown New York. Dripping increased as days progressed, and so did the mystery surrounding it. Thousands of New Yorkers were puzzled and dozens of blogs started to write about this mystery until the reveal happened a few days later.

By this days there were dozens of newspaper and magazine articles and hundreds of blogs around the world who covered the mystery about the "splashed" CK billboard.

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This logo is based on the most iconic feature of the New Museum: The unique shape of the building


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Often I don't remember who's the person in the business cards in my wallet. With this in mind, I wanted to create a memorable card where people can make notes about me in the back on my card.


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clever clever clever
.

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Hello, roosters! If Avedon's your man, then this fine Monday morning The New Yorker has a treat for you:

"This week's issue features a portfolio of entertainers from 'Richard Avedon Performance,' a new collection of rarely seen work by Richard Avedon due out in October. Avedon had an enduring relationship with performers: he was portrayed by one--Fred Astaire--in the 1957 movie 'Funny Face,' and throughout his career they remained among his favorite subjects."

charming:

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foxy:

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I think the wax pencil totally adds.


See more.
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I heard today from the very cool Lou Mora about a new kind of photo agency that seems almost like a collective. I'm psyched about the name-- Wonderful Machine (!), and I'm psyched about the very simple interface. Photo Editors- you know when you need a photographer in Missoula on one day's notice?

Problem solved: just call Heath or Anne.

Aspen, Cleveland, and Tampa are also covered. Not to mention Edmonton.

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We got some insider info on how the agency hopes to position itself:

"Ultimately, we intend to be a full-service, global photo agency with a web site that will be a primary destination for art buyers seeking high quality commercial and editorial photographers. We expect to max out at 50 cities in North America by the end of the year, then expand to other major markets around the world. We will have a select number of photographers in each location and no two alike. Though we will be as exclusive as possible with the photographers we choose, we will not require that our photographers work with us exclusively. Striking the right balance - in quality, quantity, specialty, and geography - will make us a logical first stop for clients.

We've created a business model that is unique in the industry, and it's one that we think will provide our photographers with the best possible bang for their marketing buck. It's a hybrid, combining elements of a web portal with those of full-service artist representation. What makes us different from other portals, is:

  •  We have a limited number of photographers in each city/specialty, so your name will always stand out.
  • We maintain a high standard of talent, so your photography will only be associated with other good work.
  • Your photography will be actively promoted to a wide range of qualified prospects.
  • We can assist you with estimating, production, and other consulting services."

Sweet. I found some of my favorite photographers here, like  Los Angeles' Ye Rin Mok.
Here are three from her. I think her pictures are perfect as fiction illustrations.

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I also found some photographers who are new to me, like Tanit Sakakini. A teensy bit too saturated for me, but you can't beat that many fish on the ground. This lady understands shoot production.

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Check out the Wonderful Machine. Perhaps you will find it wonderful too.
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I was thinking about LA yesterday after that job announcement, and came across some of Alan Greth's images in the collection. SO LA, SO '80s, SO crazy. I'd love to give a novelist (or an alien from another planet) these three images and see what they come up with.

A little about Mr. Greth:

Alan Greth has been a working photojournalist since 1986 when he started his first staff photographer job at the Whittier Daily News in the Los Angeles area. Greth Worked for the Associated Press as a Staff Photographer and a stringer. He has been Director of Photography at the Oakland Tribune and and most recently Executive Photo Editor at the Contra Costa Times in California for the past eight years.


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Former U.S. President Ronald Reagan reaches into hit coat pocket as he walks out of a Sees Candy store in Century City, Calif December 8, 1989. Reagan was Christmas Shopping.


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A helicopter flys near the First Interstate Bank building in Los Angeles as the building burns Thursday May 4, 1988. One person died and 30 were injured in the worst high-rise fire in Los Angeles history. This picture ran on the front page of the New York Times on May 6, 1988.


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Jose Canseco of the Oakland Athletics, right, and his wife Esther walk on the tarmac after arriving at Los Angeles International Airport in Los Angeles for a World Series game against the Los Angeles Dodgers in October of 1988. Canseco became the first player in Major League history to hit 40 home runs and steal 40 bases. Canseco was unanimously named the American League's MVP in 1988.


Anyhoo.
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photo by Seth Hughes

It's a tiger of a morning, my friends. This one wins, one so many levels. Roar.


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All I can say is whoa. I mean wow.


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