Recently in fine art Category

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I had a lovely lunch today with the always effervescent  Fiona Aboud, who has just put together a book chronicling the lives of Sikhs in America, after two years of shooting. The book is up for the "peoples' choice" vote in the Blurb "Photography Book Now" contest; go take a look, and make a choice!

In any case, the work is truly excellent and interesting. Just on the very off-chance you aren't an expert on Sikhism, here is a primer, culled from our friend Wikipedia:

"Sikh  is the title and name given to an adherent of Sikhism. The term has its origin in the Sanskrit 'disciple', 'learner' or 'instruction'. Many male Sikhs can easily be recognized by their turbans, beards, or steel bracelets on their right wrists. Steel bracelets are also worn by Sikh women.

The evolution of Sikhs began with the emergence of Guru Nanak as a religious leader and a social reformer during the fifteenth century in Punjab. Their identity was formalized and wielded into uniform practice by Guru Gobind Singhon March 30, 1699. The Sikhs established a nation under Ranjit Singh in the nineteenth century in which they were preeminent. They were known for their military prowess, administrative capabilities, economic productivity and their adaptability to modern western technology and administration.

The Sikhs comprise about two percent of India's billion-person population. The greater Punjab region is the historic homeland of Sikhism, although significant communities exist around the world.

Sikhs are required not to renounce the world, and to aspire to live a modest life.
Seva (service) is an integral part of Sikh worship, very easily observed in the Gurdwara. Visitors of any religious or socio-economic background are welcomed, where Langar (food for all) is always served."

Ok, now you know.

Words and pictures below are Aboud's.

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I began my photographic exploration of Sikhs in America as a personal education and exploration. Through out my life I have always strived to understand things that I feel are misunderstood by myself and society at large. After 9/11 when Balbir Singh Sodhi was gunned down in Mesa, Arizona on Sept. 15, 2001-- the nation's first post-9/11 victim of a hate crime -- the press did profiles on Sikhs and Sikhism explaining that they were not Muslim and giving people a sound byte of knowledge. Years later I still had the question: what is a Sikh American? What was their American experience like?


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I have traveled across the country to Georgia, Kentucky, Tennessee, New York, New Jersey, Connecticut, Virginia, Texas, New Mexico, and I have trips planned over the next 6 months to Arizona, California and Montana, to further document this community.

In the face of continued discrimination and hate crimes that largely go unreported by the media, many Sikhs remain strong and steadfast to their beliefs and traditions. The next generation is split between those that have assimilated and those that continue the Sikh traditions, in many ways mirroring the struggle of all immigrant groups that strive to balance tradition with the pressure to assimilate. The youth are redefining what it means to be Sikh in America because America is the place where they feel at home.


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Most any Sikh person will undoubtedly know a Sikh in every corner of the US. The Sikh community has a unity that is unlike any other religion in the US.  Despite the relatively small size of the community, Sikhs are always going to events in other states and meeting and keeping in touch with Sikhs in other States. In part that is what made this project easier to produce. Once I had met a handful of people in the NY and NJ area it opened me up to the North American community of Sikhs. Another thing that helped me complete my project was the hospitality that I was proffered. Coming from a Jewish background,  I would joke that every Sikh person is like my Jewish grandmother-- always offering me food and making sure that I was fed.

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I do not pretend to be an expert about Sikhism and its many rich traditions and texts. I am a beginner, an admirer and an observer. Sikhs are living as Americans in America. They share a common religion, but are as diverse in their ways of observance, practice, professional choices, lifestyle and place of origin. They proudly hold onto their Sikh religion and traditions, but believe they are strongly American even if the outside world does not see it.


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See more of Fiona's work here, see the blog for the book project here, and vote for the book, here.


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Boy do I like a photobooth. More than most things. And I've been thinking about making a photobooth post for some time now, with a map of where you can find them, but it seemed so out of reach-- I mean, where would one get such info?

Well, today this photobooth phantasm turned out to be no mere apparition, my friends. A little google searchitude, and I found photobooth.net.

This site has locators for booth across the world, as well as info, image samples, galleries, discussions, projects, blogs.... it's AMAZING.

Anyway, go there to get all the good stuff, but I did do a little work my own self, and made a google map of NYC photobooths. So I'm not a total waste of space*. Get your 3 bucks and GO!



View Larger Map



*If you live in another city, do not despair. Find your nearest photobooth here.
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Ooh, I'm panning for gold all over the place today, and I figured I'd try my own backyard. Here are some golden moments from the PSC.

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The very strangest is after the jump.



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Hiroji Kubota, Golden Rock, Kyaikto, Myanmar, 1992


I think we need some magic in here today, and I think Hiroji Kubota's Golden Rock is just the thing. I found this image on photo-eye, and searched and searched to find out its story. And here it is, couched in a New York Times review from 1997 of the Magnum photographer's show:

"Born in 1939 in Tokyo, Mr. Kubota saw his share of death and suffering while growing up in a war-ravaged country. He has said that he is a photographer, not a photojournalist, and that he leaves the coverage of war and mayhem, corruption and repression to others. ''Out of the East,'' therefore, is a vision of Pacific Rim Asia that is both timeless, with its images of gorgeous landscapes and the pervasive influence of Buddhism, and ever-changing, showing the influence of Western architecture and popular culture and Western-style economic development.

The show's most arresting image is not of stunning economic change but of a huge rock, revered by Buddhists and covered in gold leaf, that perches on the edge of a high mountain in Myanmar. Mr. Kubota shows the sheer magic and power of the rock by cropping off its top. This golden precarious wonder sits dead center against a deep blue sky, its imposing size contrasted with six (small by comparison) crimson-robed priests kneeling to one side of it and the low dark hills below."

Everyone needs a golden idol to worship. Me, I have a pig.

Come to think of it, I also worship a very special gold sponge.

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You know what's next: send in your golden idols, folks!



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Ooh, an eventful trip to Ads of the World this morning; looks like Lexus picked up on a little photographic trend, and Microlamp found a Creature in the Abyss. Not to be smug, guys, but we found these first: 1. wee planets; 2: into the deep.

I AM glad that advertising is using interesting imagery. Gone are the days of apoplectic dudes holding up oak board signage on car lots, promising re-financing beyond your wildest dreams.

right?

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LEXUS
Advertising Agency: Saatchi & Saatchi, Sydney, Australia
Creative Director: Steve Back
Art Director: Myles Allpress
Retoucher: Innes Robins / Electric Art
Photographer: Alan McFetridge
Copywriter: Todd Sheldrick

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photo by Alexandre Duret-Lutz


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MICROLAMP

Advertising Agency: Damman Pearce, Atlanta, USA
Creative Director: Bobby Pearce
Art Director: Dave Damman
Designer: Charlie North
Copywriter: William Bloomfield

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photo by Claire Nuvian

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Jane Hammond
Can You Draw This?, 2008
Selenium-toned silver gelatin print
11 x 14 inches



I love, LOVE this image. See more from Hammond's recent show, here.
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As you may recall, there were a proliferation of openings last Thursday, and it was quite a challenge to A. nudge yourself into the galleries and B. actually see the work. I managed to do this somewhat successfully, though, and when I awoke the next day, two artists were still lodged in my head: Jane Hammond from Gallerie Lelong, and Kevin Cooley from Massimo Audiello.

Cooley reminds me of a morph of Todd Hido and Sarah Pickering.... beautiful nightscapes with perfectly placed interventions. I ran into Ofer Wolberger at Cooley's show, and he was delighted with the press release for the show, entitled At Light's Edge. I thought it was rather nice, too. So here are some of Cooley's images, paired with the text.

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Badlands 2, Lyman, Wyoming

Return to Nature has always been a distress signal of mankind, signifying the need to take care of ourselves and to get back to basics. Be it the classical or neoclassical Arcadia, Jean Jacques Rousseau's return to our primitive being, William Wordsworth or Samuel Coleridge's search for solitude, or Caspar David Friedrich's discovery of landscape as the representation of God, Nature has always been our mother and one of our ultimate refuges.

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Wind River Canyon, Thermopolis, Wyoming

Kevin Cooley's new photographs plunge directly into this Romantic tradition of landscape, and he enriches it with contemporary concerns.

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Grand Tetons, Driggs, ID

Nature is the muse, and man is the explorer. Breathtaking night views of American landscapes are illuminated by eerie distress signals, possibly messages coming from above or vice-versa. Light shooting through the sky highlights an endangered beauty and at the same time represents a divine or extraterrestrial phenomenon.

Taking photographs, for Cooley, is a lonely job, infused with silence and meditation. This contemplative mood, along with a sense of wonder and fear, permeates the entire new body of work.

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Horno Fire, Camp Pendleton, California

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Planes Landing LAX runway 24L

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Takeoffs JFK Runway 13R

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Landing Pattern LGA

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Planes Landing MSP


See Cooley's site, here. There are even daytime pictures.
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joel barhamand

This weekend, I would like to lie down in a bed of flowers. 

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julie kuceris

No, a bed of toys.


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jason florio

No, some clouds.


Check out the collection of 98 curated Photoshelter prints available for a limited time, here.


And have pleasant weekend dreams among the toy Rexes.


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Apparently staging elaborate scenes underwater and photographing them has been a trend for oh, 70 years or so, at least. Bruce Mozert's models are so charmingly domestic, are they not? I wonder what they'd think of Dustin Humphrey.


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Mozert at work

thanks, wesley.
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Random, but awesome. I love a masterly smoke image. This one is brought to us by German photographer Maximilian Pablo Jänicke.

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How'd he do it?

"Milk, water, a big jar, Canon Powershot A95 + macro converter lens, 2x 500 W halogen lamps, black board and PS, of course. Milk was dripped into water with a pipette. While the milk was decending in the water, a series of shots were taken. The background is darkened with a piece of simple black board."


Sweet. Anyone else got a smokey story?

via.

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Zoom!

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Click on the jump, for the oh-so-exciting conclusion.
via design you trust.



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I'm thrilled to finally see some of the work from Hijacked, Volume One, America and Australia available online-- I've been hearing about this amazing book collaboration on individual artists' sites for months, and it's now rolling out big and glossy, daily-- over at Andy Adams' Flak Photo.

Hijacked
is "a photographic book + exhibition that gives voice to some of the most exciting and provocative photographers working in Australia and America today. These images erase traditional boundaries between art, document and snapshot to point towards the future of contemporary photomedia."

Below is a video explaining it better, and here is the link to the publisher.



I was immediately captivated by Greta Anderson's image from the book on Flak Photo (maybe because I was in a Palin kind of mood-- you know: guns, wildlife, hidden truths...)

In any case, here are more. They sort of floor me.

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See more of Anderson's work on her site.

And keep checking Flak Photo for their daily updates. The artists include fan favorites Timothy Archibald, Greta Anderson, Grant Willing, Alana Celii, Bill Sullivan, Caitlin Harrison, David Griggs, Emily Portman, Gareth Willis, Graham Miller, James Mellon, Janelle Ryan, Jason Lazarus, Juha Tolonen, Karron Bridges, Lisa Kereszi, Mark McPherson, Martin Mschkulnig, Michael Gray, Nathalie Latham, Nicholas Chatfield-Taylor, Robin Schwartz, Shen Wei, Suzy Poling and Amy Stein.

What could be better?

You can buy the book here.
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photo by Julia Baum

And he shall loveth all things photography.

Seriously, folks. This week we're starting off the gallery season with a bang. Shows are listed many places, but no one does it more cohesively than Peggy Roalf in the DART newsletter. Here's what she tells us about Thursday (and beyond):

"This month offers the best in contemporary photography, showcasing themes that continue to ripple to the top of a very full glass. Here are 100 or so shows in the not to be missed category, covering themes of identity, race, class, the consequences of war, environmental concerns, and new approaches to setup photography, to name just a few."

To receive this newsletter, fill out the information requested here on AI-AP's website.

Here are some of the picks. And make sure to click on the jump on the bottom-- this thing spans states and countries, so it's a loooong list.


NEW YORK: CHELSEA and DOWNTOWN


Michel Szulc-Krzyzanowski: The Early Sequences: 1977-1982

Robert Mann Gallery
September 4 - October 18, 2008
Opening Reception: September 4, 6 - 8 pm

Alexandra Sanguinetti: The Life that Came

Yossi Milo Gallery
September 4 - October 18, 2008
Opening reception: September 12, 6 - 8 pm

Julia Baum: A Rare Breed -- Portraits of Redheads
NY Studio Gallery
September 4 - 27, 2008
Opening reception: September 12, 7 - 9 pm

Jonathan Calm: New Video and Photography

Caren Golden Fine Art
September 4 - October 11, 2008
Opening reception: September 4, 6 - 8 pm

Polixeni Papapetrou: Games of Consequence
Foley Gallery
September 4 - October 11, 2008
Opening reception: September 4, 6 - 8 pm

Paul Fusco: RFK Funeral Train Rediscovered
Danziger Projects
September 4 - October 4, 2008
Opening reception and book signing: September 4, 6 - 8 pm

Meredyth Sparks: We Were Strangers For Too Long
Elizabeth Dee Gallery
September 4 - October 11, 2008

Jane Hammond: Photographs
Galerie Lelong
September 4 - October 11, 2008
Opening reception: September 4, 6 - 8 pm

Michael Thompson
Hasted Hunt Gallery
September 4 - October 25, 2008
Opening Reception: September 11, 6 - 8 pm

Amada Means: Glass + Light
Ricco Maresca
September 4 - 27, 2008
Opening reception: September 4, 6 - 8 pm

Michal Chelbin: Strangely Familiar

Andrea Meislin Gallery
September 4 - October 18, 2008
Opening Reception and Book Signing: September 4, 6 - 8 pm

Josef Koudelka: Invasion 68 Prague
Aperture Gallery
September 5 - October 30, 2008
Opening reception: September 4, 6 - 8 pm

Shimon Attie: Racing Clocks Run Slow
Ka Hassan: Recent photographs
Jack Shainman Gallery
September 4 - October 20, 2008

The Figure Today featuring multimedia work by Julia Fullerton-Batten, Lynn Goldsmith, Saul Leiter, Chris Raecker, and Jeong Mee Yoon, among others

Jenkins Johnson Gallery
September 4 - September 27, 2008
Opening reception: September 4, 6 - 8 pm

Kevin Cooley: At Light's Edge

Massimo Audiello Gallery
September 4 - October 11, 2008
Opening reception: September 4, 6 8 pm

Joel Sternfeld: Oxbow Archive
Luhring Augustine
September 6 - October 4, 2008
Opening reception: September 5, 6 - 8 pm

Guido Castagnoli: Provincial Japan
Sasha Wolf Gallery
September 11 - November 1, 2008
Opening reception: September 11, 6 - 8 pm

Jeff Whetstone: Post-Pleistocene

Julie Saul Gallery
September 12 - October 25, 2008
Opening reception: September 12, 6 - 8 pm

How I Spent My Summer Vacation, featuring work by Rachael Dunville, Sebastian Lemm, Christopher Rauschenberg, Roger Eberhard, Josh Quigley, Caleb Charland among others
Michael Mazzeo Gallery
September 12 - October 11, 2008
Opening reception: September 12, 6 - 8 pm

Vivan Sundaram: Trash

SEPIA International | The Alkazi Collection
September 17 - November 1, 2008
Opening reception: September 17, 6 - 8 pm

Joshua Lutz: Meadowlands

Dave Anderson: Roadside Ghosts (Project Room)
ClampArt
September 18 - October 18, 2008
Opening reception: September 18, 6 - 8 pm

Doug Aitken
303 Gallery
September 20 - November 1, 2008

Parsons MFA Photography Thesis Exhibition
Sheila C. Johnson Design Center | Parsons the New School for Design
Through September 12, 2008


click on the link below to see MANY MORE!




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Continuing with our theme of craftiness today, here are some of Erik Boker's product dissections.

From Boker's project statement:

"I am interested in the notions of art as commercial product, art as artifact, and the nature of the museum, and I continue to explore our understanding of their roles, and the inherent beauty, humor, and horror that lies within them."

Horror is Aquafresh's thorax, spread wide for all to see.

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Aquafresh Extra Fresh

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Aquafresh, Extreme Empowermint

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Colgate Junior, Bubble Fruit

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Colgate Maxfresh, Kiss Me Mint

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Colgate Total Mint Stripe

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Oral-B Stages for Kids
Bubble-Gum Magic - Disney Princesses

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I can almost smell the princess bubblegum-tinged formaldehyde.


See more
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Don't have a mountain vista outside your window? Make your own! That's what the crafty Australian photographer Magdalena Bors would do.

Take a look.


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I like how the subject slinks around in all black, like a stagehand.

more.
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Ohhh, good morning, my friends. Clayton Cubitt turned me on to these ten camera hacks yesterday, and I've been fascinated since.


I've been feeling a little under the weather, so it seems apropos to post the Rebecca Hinden's red eye camera; this one actually encourages red eyes. I like it. It makes my current look all the rage.


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you can do it with a disposable camera.


(here's the process. this in itself seems like a work of art to me.)

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If you want to go for the big guns....


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you can do it with a 4x5.


Always protect your subject's eyes....

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et voilà:

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verry nice.


Go to Rebecca Hinden's site to see more cool stuff.
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And now, friends, a challenge for you: send me your very best red eye picture. We'll do a little gallery. Here's mine:


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Very Buffy the Vampire Slayer, no?

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Most Exciting. Gallery Press Release. Ever.

I think this is how Star Wars fans must feel when Mr. Lucas announces another prequel. Or not, since those have been known to suck. But this-- this will not. OK, I'll kill the suspense: Alessandra Sanguinetti is showing a continuation of her amazing series The Adventures of Guille and Belinda and the Enigmatic Meaning of their Dreams, entitled The Life That Came.

Full Press Release:

Alessandra Sanguinetti
The Life that Came
September 4-October 18, 2008
Artist's Reception
Friday, September 12, 6:00-8:00 pm

Yossi Milo Gallery
is pleased to announce The Life that Came, an exhibition of color photographs by Alessandra Sanguinetti. The exhibition will open on Thursday, September 4 and close on Saturday, October 18, with a reception for the artist on Friday, September 12 from 6:00 to 8:00 pm. This will be the artist's third exhibition at the gallery.

The Life that Came is the continuation of The Adventures of Guille and Belinda and the Enigmatic Meaning of their Dreams, an ongoing series of photographs following the lives of the young cousins Guillermina and Belinda as they grow up on their family's farm outside Buenos Aires. Cultivating an intimate relationship with the pair, Ms. Sanguinetti has collaborated with the girls since 1999, capturing images inspired by the expectations, fantasies, and fears that accompany the psychological and physical transition from childhood to adulthood.

This sequel to the gallery's exhibition of the series in 2004 carries the project forward to a new period in the lives of Guille and Belinda as they enter the adult world they once imagined.
The fantastical tableaux of personal dreams and lively imagination of the early images give way to more meditative moments as the two cousins shape their own realities, encounter the fragility of changing relationships, and confront early motherhood.

Alessandra Sanguinetti was born in New York City in 1968 and currently lives and works in both Buenos Aires and New York City. Her work has been exhibited extensively abroad, including a solo show at the Museum of Modern Art, Buenos Aires, and is part of several collections including the Museum of Modern Art, New York, the Museum of Fine Arts, Boston, and the International Center of Photography, New York. She has been awarded numerous grants and prizes, including the Guggenheim Foundation Fellowship, Hasselblad Foundation Grant, and Rencontres d'Arles Discovery Award.

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Here are some of the new images. They're all grown up. Amazing.


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Time Flies, 2005

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Ray of Light, 2005

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The Conjurers, 2006

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The Nanny, 2006

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The Kiss, 2007



See more from the new series, and the original work, here and here.
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Today started off rather clever and design-ish with Ji Lee, and I think I'll continue the clever and add a dose of dreamy with some John Clang.

I love these three pictures-- they rotate nice and big as the splash image on Clang's site, so I keep refreshing the page to see each one.


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I don't really understand what's going on here, but I like it.

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Clang has lots of interesting projects, but the one that caught my eye today is "submerge".


I love the black-and-white. I love the casting.

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ah, to be underwater.

see more john clang.
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It's punny in here today.

Weekend re-discovery: the designer and clearly awesome and brilliant Ji Lee. Here's how it happened: I was reading The Times. Then I saw this clever image above, illustrating the article "The American Wanderer, in All His Stripes", about Mr. Obama's transitory background.

I googled Mr. Lee and realized I had written about him previously, not knowing about his editorial work. Looks like he's had quite the partnership with this paper; when I went back and looked at these illustrations, I remembered almost all of them.

Lee does tons of branding and design projects and still has time for his own work. A graduate of Parsons in 1995, he also has the little title of Creative Director at Google Creative Lab. Color me impressed.

Anyway, he and Nicholas Blechman at The Times seem to have a nice partnership. Here are some noteworthy tears. I'll show you some other stuff down below, from Newsweek and Cheerios and Tylenol and such. And the best business card ever.


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The 10 Best Books of the Year
Creative Director: Nicholas Blechman


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Ethics of Killing for Food
Article By Frank Bruni / Photography by Daniel Root / Creative Director: Nicholas Blechman


Whole Foods announced that it would no longer sell live lobsters, saying that keeping them in crammed tanks for long periods doesn't demonstrate a proper concern for animal welfare. Nonetheless, the lobsters are being killed anyway to be eaten by the consumers. This article discusses the ethics involved in killing animals for food.


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Red Cross Dilemma

Article by Stephanie Strom / Creative Director: Joon Mo Kang

Article about the financial crisis Red Cross is facing by the increasing trend of donors who want to contribute for specific causes which makes it hard for the Red Cross to raise money for its own internal financial needs.




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"Falling Man" by Don DeLillo / Article by Frank Rich / Creative Director: Nicholas Blechman
A novel about a man who survives 9/11.



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Newsweek
Challenge: Create a brand campaign for Newsweek magazine. Solution: Juxtapose images from the news to provide a unique editorial perspective on current issues.


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Tylenol
Challenge: Create a brand campaign to position Tylenol as the leader in the pain-relief medicine category. Solution: Ads as a pain-relief.


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Cheerios
Print campaign to communicate Cheerios have five different flavors.



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New Museum (reveal)
We poured drips of magenta ink on top of the Calvin Klein Billboard on one of the most prominent streets in downtown New York. Dripping increased as days progressed, and so did the mystery surrounding it. Thousands of New Yorkers were puzzled and dozens of blogs started to write about this mystery until the reveal happened a few days later.

By this days there were dozens of newspaper and magazine articles and hundreds of blogs around the world who covered the mystery about the "splashed" CK billboard.

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This logo is based on the most iconic feature of the New Museum: The unique shape of the building


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Often I don't remember who's the person in the business cards in my wallet. With this in mind, I wanted to create a memorable card where people can make notes about me in the back on my card.


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clever clever clever
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Hello, roosters! If Avedon's your man, then this fine Monday morning The New Yorker has a treat for you:

"This week's issue features a portfolio of entertainers from 'Richard Avedon Performance,' a new collection of rarely seen work by Richard Avedon due out in October. Avedon had an enduring relationship with performers: he was portrayed by one--Fred Astaire--in the 1957 movie 'Funny Face,' and throughout his career they remained among his favorite subjects."

charming:

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foxy:

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I think the wax pencil totally adds.


See more.
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Whoa, PhotoShelter's now in the print-selling business. For a limited time only*, a select group of images are available in archival print editions. Seems like nice use of resources for an agency with so much incredible artwork.

I think I shall start with these eight. And then I will buy some more.


*cue car salesman voice

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Julie Kuceris

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Crystal de Lys

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Brian Shumway

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Debbi Smirnoff

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Landon Nordemon

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Yannick Fel

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Cory Treadway

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K.C. Alfred


see 'em all, etc.
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Holy discovery!

Charles Weever Cushman, amateur photographer and Indiana University alumnus, bequeathed approximately 14,500 Kodachrome color slides to his alma mater. The photographs in the collection bridge a thirty-two year span from 1938 to 1969, during which time he extensively documented the United States as well as other countries.

From an essay by Eric Sandweiss:

"For thirty years, Charles Cushman documented a dying landscape in living color.

Packing his car with camera, lenses, and film, his tripod, his notebooks and--often as not--his first wife, Jean (who was not, to judge from the expression on her face in Cushman's occasional carside portraits, always a happy traveling companion), this extraordinary amateur photographer pursued a life on the road, and in the streets, of mid-twentieth-century America. Whatever its effect upon his marriage, Cushman's peripatetic compulsion did result in a remarkable gift to future historians, photography lovers, and students of Americana.

For here, framed through the lens of his Contax IIA camera, saturated in almost embarrassingly vivid colors, springs to life a world that we had long since resigned ourselves to viewing only in shades of gray. The America that we thought we knew, whether through the self-conscious artistic starkness of the images of Berenice Abbott and Walker Evans or through the polished middle-brow poses of Look and Life, is revealed as being but the shadow of a world no less full and tangible than our own. In Cushman's work the past becomes, for an instant, impossibly present."

A mere five selects:

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Hydrant Party, Hagerstown, Maryland, July 1940


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Emmet Flynn as old Leather face in the Movie "ARIZONA" on the set, April 1940


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Elephants' jockeys mount. Ringling Brothers Barnum & Bailey circus, August 29, 1943


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New Ford in Niles Canyon, February 1958


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Pumpkin farm at Verdi Road and California Hwy 1, September 1968


See so, so much more, here.


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Which came first?

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photo by Kris Van Beek
Agency : Air
Client : Amnesty International


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photo by Liu Bolin, from the series Camouflage.


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photo by Seth Hughes

It's a tiger of a morning, my friends. This one wins, one so many levels. Roar.


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1. A photo

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Arnold Newman, "Georgia O'Keeffe, Ghost Ranch, New Mexico," 1968


2. A video (O'Keefe was chipper and hilarious at 92):




3. An exhibition:

Portland Museum of Art, Portland, Maine
Final Weeks: Georgia O'Keeffe and the Camera
June 12, 2008 - September 7, 2008

This exhibition of 60 photographs of Georgia O'Keeffe and 18 works by the artist addresses the relationship between her art and photographs made of her over the course of a long career. For the first time, the exhibition pairs paintings and photographs to establish two opposing public images of the artist. /Georgia O'Keeffe and the Camera/ includes works by famous photographers such as Ansel Adams, Alfred Stieglitz, Eliot Porter, Todd Webb, and Arnold Newman. The exhibition will also include examples of O'Keeffe's paintings and works on paper that mark major moments in the development of her art: the early abstract drawings, the first landscapes in New Mexico from the 1930s, and the late architectural studies of her homes at the Ghost Ranch and Abiquiu.


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