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joel barhamand

This weekend, I would like to lie down in a bed of flowers. 

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julie kuceris

No, a bed of toys.


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jason florio

No, some clouds.


Check out the collection of 98 curated Photoshelter prints available for a limited time, here.


And have pleasant weekend dreams among the toy Rexes.


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Apparently staging elaborate scenes underwater and photographing them has been a trend for oh, 70 years or so, at least. Bruce Mozertom's models are so charmingly domestic, are they not? I wonder what they'd think of Dustin Humphrey.


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thanks, wesley.
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Hey Guys-- heading to the beach for one last sand castle before this summer gig is up? Maybe you need some advice about how to frame that charming sea shanty! We'll be running a travel article over on School of Stock next week, but I got such great information from Endless Vacation Magazine's Moya McAllister when interviewing her for said article, that I thought I'd share some with ya now. There she is, above.

Moya currently produces and directs photography for many of Story Worldwide's publications, especially travel magazine Endless Vacation for RCI and also clients such as UPS, Bank of America, ILORI, Unilever and others. She is involved in concepting shoots, hiring photographers and stylists, casting models and directing shoots on-location.

Moya is going to parse two layout in the magazine for us-- she'll tell us why she chooses which images, how they're made, and essentially let us into her head.

Thanks, Moya! All the following words are Ms. McAllister's.

___

Endless Vacation Magazine's motto is Play - Eat - Shop - Relax - Explore.  Each feature story we publish, whether it's themed a "Relax" story or an "Eat" story, will incorporate the motto throughout, especially visually. For an 8 page feature - each of these photographers probably shot 10-16 hours a day for 4-5 days. They probably captured over 2500 images on the shoot, and turned over about 500 images for my edit. We publish somewhere between 15-25 images per feature story.

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For the Core Banks story (from Endless Vacation's third issue - July/August 2007)-- I hired experienced travel photographer, Rob Howard, to shoot this lesser-known area, the Core Banks of North Carolina's coast.

What I love about Rob's work is that he has a graphic approach to composition and framing. Note the left-hand photo on the opening spread. An iconic white house on the beach is almost center frame, with enough environmental details surrounding for most US readers to know that is an eastern seaboard location. The side of the house is parallel to the film plane, increasing visual impact of the pentagram-like shape. Designers like images like these not only because they are powerful enough for a full page, but also because there is plenty of room for type over the image at the top of the frame.

A different example of visual impact is the detail shot on the right of the opener. A close-up, multiple-layer view of colorful lobster buoys gives the viewer another contrasting aspect of this seaside destination, but closely tied in theme to the image it is paired with.  The other item of note is that the art director was able to pick up the strong red from one of the lobster buoys, incorporate that color into the type design and the fun design element of the transparent red tape throughout the layout.

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What really shows consistently throughout the layout is that Rob, as a photographer, interacted and experienced the Core Banks with the keen curiosity of a dedicated traveler. This seaside location is captured in many different types of images but they all tie together to evoke a feeling of shared experience-- a close detail of a window decal about pirates reminds readers of the rich history of the area, signage for a boat tour clues people in about what they could do, the meal on the table is ready to eat, a family Rob met randomly is enjoying the beach, the aerial shot from a small plane gives an even bigger sense of place. Rob also spent time in the dunes amongst the wild ponies, making them feel secure in his presence, in order to portray the serenity of the herd.


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The second layout is from July/August 2008.


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For the Andalusia, Spain story, Barcelona photographer, Francisco Guerrero, caught my eye a few years ago because of the rich color of his photographs-- rich color that is representative of a mood or time of day, not super-saturated or overdone in Photoshop.

Francisco's shoot of Andalusia had to cover a lot of ground, over mountainous terrain, through some of Europe's most verdant rural areas and oldest historic cities.

On the left side of the opening spread, Francisco found an elevated view of the cliffs of Ronda that shows not only the rich farmland in the far distant background, but the architecture of this ancient city in the mid-ground, and the deep chasms surrounding it in the foreground. There's no wasted space in this image, it's full of information.

It is paired with a family gathering at a restaurant in Zahara that conveys the warmth of the people as well as the cultural cuisine. Of note, camera focus is kept on the food, which is specific to the region, in the lower half of the image. The family members in the background and upper right add emotion to the moment and keep this from being just another food shot, but those elements don't need to be super sharp to do that.


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The next three spreads follow the route of the story, from Seville's grand cathedral to lunching al fresco in Malaga; each spread has 2-3 photos that incorporate a human element, such as a hand, utilzing a torso as background, a laughing group of friends.  Travel stories are more effective, in my mind, if the viewer connects with the experience and can 'see' themselves in that moment, in that place.

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There is also a big variety of types of image: images taken at different times of day set mood and keep the story moving visually through time; interiors and exteriors of buildings have cultural or ethnic references; also, details, overviews and landscapes are represented in each spread. This keeps the eye moving around the page, which encourages the reader to, well..... read the story!

Lastly, back to Francisco's color - the richness of Andalusia's culture and history is tied together by the strong recurring grass greens, burnt oranges and rustic reds of the photos.


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--

Bravo!
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A.
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Corsica, France
Ed Alcock for the New York Times

B.
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Ischia, Italy
Adam Eastland/PhotoShelter


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sign me up, travel gods.


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Eric Etheridge recently sent over a copy of his book Breach of Peace, and it has literally taken my breath away. An exhaustive photographic and archival survey of the lives of the Mississippi Freedom Riders through their original mug shots, it seems an incredibly important and poignant reminder of what can be achieved by ordinary people.

Here's a description and synopsis from the very helpful Breach of Peace blog:

Breach of Peace
is a book about the 1961 Mississippi Freedom Riders, a photo-history told in images old and new. The book features new portraits of 80 Riders and the mug shots of all 328 Riders arrested in Jackson that year, along with excerpts of interviews with the featured Riders.

In the spring and summer of 1961, several hundred Americans -- blacks and whites, men and women -- entered Southern bus and train stations to challenge the segregated waiting rooms, lunch counters and bathrooms. The Supreme Court had ruled that such segregation was illegal, and the Riders were trying to force the federal government to enforce that decision.

Though there were Freedom Rides across the South, Jackson soon became the campaign's primary focus. More than 300 Riders were arrested there and quickly convicted of breach of peace--a law many Southern states and cities had put on the books for just such an occasion. The Riders then compounded their protest by refusing bail. "Flll the jails!" was their cry, and they soon did. Mississippi responded by transferring them to Parchman, the state's infamous Delta prison farm, for the remainder of their time behind bars, usually about six weeks.

A few days after the last group of Riders were arrested in Jackson, on September 13, the Interstate Commerce Commission issued new regulations, mandating an end to segregation in all bus and train stations.


Here's more info on the project.

Below are tidbits I've cobbled together from conversations with Eric, research on the blog, and text from the book.


How do these records exist?!

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Eric Etheridge:

In 1956, Mississippi established the State Sovereignty Commission and empowered it "to do and perform any and all acts and things deemed necessary and proper to protect the sovereignty of the State of Mississippi, and her sister states, from the encroachment thereon by the Federal Government."

As it turned out, "any and all things" included hiring a former FBI agent who had once worked for J. Edgar Hoover and establishing a network of informants throughout the state to report on on the doings of anyone who showed the slightest inclination to thing or act differently on matters of race.

The commission's investigators kept close track of the Riders as they came to Jackson, gathering their names, addresses, birth dates and mug shots from the police and filing that information away. They thus preserved not only the mug shots but the name of every Freedom Rider and other information that would prove very useful in finding them some forty years later. In my research I found no evidence that the commission ever used this this information again, even though several of the Riders continued working for the movement in the state. Perhaps the investigators were were just fulfilling a bureaucratic imperative. For whatever reason, the investigators proved also to be excellent, if inadvertent, archivists.

I started contacting Riders and making portraits in 2005. I usually met them in their homes. Our sessions lasted on average three hours, the first of which was spent conducting an interview. Then we made a picture.

Though it was defunct by 1973, the commission was not finally abolished until 1977. At that point, the Mississippi ACLU and other plaintiffs sued the state to force it to open the agency's files. Twenty-one years and much legal wrangling later, they won, and the files were turned over to the Mississippi Department of Archives and History and opened to the pubic. Four years later, in 2002, MDAH archivists published every page of the files online, which is where I came across them, two years later.


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Catherine Burks-Brooks. Born October 8, 1939, in Birmingham, AL.
Then: Senior, Tennessee State, Nashville; active in the Nashville movement.

EE:
When I first came across the mug shots, in 2004, I was immediately captivated by the faces looking back at me. The police camera had caught something special, even if no one quite intended it that way. The resulting portraits were compelling and intense, a major addition to the Civil Rights movement's already rich visual history. I wanted to bring the mug shots to a wider audience. I wanted to find the Riders today, and to offer them the chance to make a new portrait to set against the earlier photograph.

I started meeting Riders and making portraits in 2005. I usually met the Riders in their homes. Our sessions lasted on average three hours, the first of which was spent doing an interview. Then we made a picture.

Though the book is now published, my project remains ongoing. Apart from the Riders I have photographed, the ones who said no (a handful), and the ones I know have died, there are about 140 Riders I have not been able to find. A decent number of the Riders knew the mug shots still existed and had seen theirs. But for the majority their mug shot was a great & pleasant surprise.   


Burks-Brooks now: works as a substitute teacher in the Birmingham schools.


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David Myers & Winonah Beamer

Then:
Both students at Central State University, in Wilberforce, OH.

Since Then:
They married in 1962. David worked as a photographer for several years, first at Central State, then for newspapers in Xenia, OH and Waterloo, IA. Winonah spent most of her career working with profoundly retarded adolescents and adults at a number of institutions in Ohio.  They now live in Ellenton, Florida.


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"When I was arrested, a reporter from my hometown paper did a story on me, with a picture on the front page, a very nice article. The day after my arrest was Memorial Day. The chairman of my draft board was the commander of the American Legion Post and was also the main speaker on the courthouse steps for Memorial Day services, and he lashed out at the newspaper for making a hero of a known communist.

Then they passed a public resolution which said that I, being a communist, should never be allowed to teach school in the state of Indiana. They send that on to the governor, Matthew Welsh. Well, the governor later helped pay my bail in Mississippi, so you can see how much credence he gave that."
-- David Myers


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Rev. Reginald Green, Washington DC

"I never asked my father and mother if I could go on the Freedom Rides, for fear that they would say no. Out of respect I would have honored that direction. Rather than to have to face that, I just decided to go."

Since then:
Moved back to DC, where he was a pastor until his retirement in 2006.

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EE:
In doing my research I amassed a great deal of material that didn't fit in the book -- secret jail and prison diaries kept by the Riders, along with other documents and items they saved, government memos, archival newspaper clips and photographs, and more. I also have much more oral history from my interviews with the Riders than I could possibly use in the book -- accounts of their arrests in the bus and train stations, stories about life in the city jails and Parchman, reports of their work the movement before and after the Freedom Rides.


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Joan Trumpauer Mulholland

Parents of the several Freedom Riders incarcerated in the Jackson jails and Parchman, the state prison, routinely got in touch with officials in order to get various items to their children or simply to make sure their children were OK.

Mulholland had been arrested on June 8 at the train station in Jackson. At the time, she had dropped out a college after a freshman year at Duke and was living in Washington, DC, active with the Nonviolent Action Group, as the DC student movement was known, protesting segregation in the capitol, Maryland and northern Virginia.

Traumpauer's recollections of being transferred to State Prison Parchman:

"Then it was night, I think, when we got to Parchman-- getting processed and a change of clothes and vaginal searches. The matrons would dip their-- as I recollect, it was gloved hands, but somebody else may remember it differently-- they would dip 'em into these buckets of whatever in between gouging up us. It smelled like Lysol or Pine Sol, one of those highly disinfectant things. It was all frightening. I think it was meant to impress the seriousness of our isolation and they could do anything they wanted to."



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After the Freedom Rides she transferred to Tougaloo, a black college in Jackson, from which she graduated in 1964. Since then she has lived in Arlington, VA, and worked for the Smithsonian, the Justice Department and as a teacher in the public schools. (She later changed the spelling of Trumpower, her then last name.)

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Joan Trumpauer Mulholland, Today


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Hank Thomas

Then: Sophomore, Howard University, Washington, DC. Active in the student movement there. One of the original thirteen Freedom Riders who left Washington, DC, on May 4, 1961, and was on the bus firebombed outside Anniston, AL, on May 14.


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Since Then:
Moved to Atlanta after serving in Vietnam, and got into the franchise business, starting with a laundromat, followed by a Dairy Queen. Today he and his wife own two McDonald's and four Marriott hotels; they live in Stone Mountain, GA.


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Peter Stoner. Born in 1938 in Milton, MA.

Since Then:
Worked throughout Mississippi in the civil rights movement during the sixties and was frequently arrested. Later got a master's degree and PHD in chemistry at the University of Southern Mississippi, in Hattiesburg. Rerturned to Jackson, where he has worked as a car mechanic, for others and for himself.

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Read the Breach of Peace blog here.

Check out the book site, here.

Buy it, here.

And, if you want to see these images in person, Etheridge says:

"I have 12 portraits (including Hank Thomas, Jesse Harris, Reginald Green, and Peter Stoner, which I sent you)  plus a mural of 100 of the mug shots in the Road to Freedom show currently hanging at the High Museum in Atlanta (Going to the Smithsonian in DC later this year, and then to the Skirball in LA and I think a couple of other stops as well)." More info here.

----

About Eric Etheridge:

I was born in 1957, and grew up primarily in Carthage and Jackson, Mississippi. After graduating from Vanderbilt University in 1979, I moved to New York City to work in the magazine business. I was an editor at a number of publications, including The Nation, Harper's, 7 Days, Rolling Stone and the New York Observer. In 1996 I started working online, creating and running sites for Microsoft (New York Sidewalk), Deja.com, the New York Times and others.

Breach of Peace is my first photographic project. I live in the West Village with my wife, Kate Browne, and our daughter, Maud. I blog somewhat regularly at ericetheridge.com. You can email me here.





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Our intrepid reporter Jennifer Hsu, who is at the RNC for the The Takeaway
(a co-production of WNYC Radio and Public Radio International in collaboration with the New York Times, BBC World Service, and WGBH Radio Boston), sent us some pictures of the speaking floor that you'll rarely see on television. Jen writes: "have you noticed the big images they display behind the Republican speakers? Something you probably can't really notice on TV: they display these odd photos during the speeches. Sarah Palin might be making a grand declaration about U.S. foreign policy and suddenly, there's Old Faithful spouting."

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Palin.

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Giuliani.

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Huckabee.


"My photo of the Huckabee image is too small....but it's really odd. A half-deserted parking lot. I'm dying to know what McCain will have behind him."


We are too, Jenn!

UPDATE: McCain got a Junior High School. From intrepid reporter Hsu:

"This one is almost as weird as Huckabee's parking lot.... AND this isn't actually a photo. McCain got special treatment: This image is actually a looping video. I realized this when all of a sudden I saw a tiny figure walking up to the entrance of the school!"

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You can't make something this good up, folks.


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From downtown Wasilla, itself.


Reminds me of another image, after the jump.



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Random, but awesome. I love a masterly smoke image. This one is brought to us by German photographer Maximilian Pablo Jänicke.

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How'd he do it?

"Milk, water, a big jar, Canon Powershot A95 + macro converter lens, 2x 500 W halogen lamps, black board and PS, of course. Milk was dripped into water with a pipette. While the milk was decending in the water, a series of shots were taken. The background is darkened with a piece of simple black board."


Sweet. Anyone else got a smokey story?

via.

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I just discovered The Panopticist, and I must say: Color me amused. This Palincrastinator just lost another hour.


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Andrew Hearst
made these, and he has real, live, magazine experience. I bet he even owns a passport. He'd probably make a good VP candidate, come to think of it.

BONUS:

Andrew's bio photo appears to have been taken by Youngna Park, who is a lovely person and photographer. +10 points.
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Zoom!

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Click on the jump, for the oh-so-exciting conclusion.
via design you trust.



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